Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

60%
+1 −0
Q&A How do I subvert the tropes of a train heist?

Stripped of all the self-aware, meta jargon, the problem is that your hero isn't well suited to a big, action-packed showdown --she's more likely to win with her wits than her fists. Given that, I...

posted 5y ago by Chris Sunami‭  ·  last activity 5y ago by System‭

Answer
#3: Attribution notice added by user avatar System‭ · 2019-12-08T11:59:41Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/45517
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by user avatar Chris Sunami‭ · 2019-12-08T11:59:41Z (about 5 years ago)
Stripped of all the self-aware, meta jargon, the problem is that your hero isn't well suited to a big, action-packed showdown -- **she's more likely to win with her wits than her fists**. Given that, I'd lead the reader to expect the big, action packed showdown, _allow her to be physically overpowered_, and only then reveal that she's already anticipated this outcome, and secretly solved it in advance using her wits. (Bonus points if her physical defeat is an essential part of her ultimate strategic victory!) _The Sting_ is a good example of this kind of reversal. You'll have to work hard, however, if you want to play fair with your readers on this one --_The Sting_ is only semi-successful from that point of view.

> "What the --? The train is stopping? But that's impossible."  
> "Not at all. You see, _you_ were fighting to win. _I_ was fighting to keep you distracted."

The reason this should work is that you've done the work to establish your hero as a master strategist. So **the seeming action ending will seem like a cheat to the reader** --as indeed it did to you, the author. Then when you reveal the action ending was just a sham, it should feel right to the reader, in a very satisfying way, _if you've done the work._

#1: Imported from external source by user avatar System‭ · 2019-05-28T18:44:31Z (over 5 years ago)
Original score: 3