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I think it is fine to shift, but I think you need a marker of some sort to ensure the reader is aware of whose POV they are in. This could be done in prose, but it might be easier to just use the ...
Answer
#4: Attribution notice removed
by
System
·
2019-12-19T22:13:50Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/46695 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
by
System
·
2019-12-08T12:28:26Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/46695 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
I think it is fine to shift, but I think you need a marker of some sort to ensure the reader is aware of whose POV they are in. This could be done in prose, but it might be easier to just use the scene separator within the chapter, usually three dashes centered on a line, to signal to the reader something is changing. Normally this is a time skip within the same setting, or a change of setting but it can be used to signal any kind of change, including a POV change. I wouldn't **mix** multiple POVs in a sentence by sentence or paragraph by paragraph fashion, just use the "---" and begin the next sentence with the name of whichever character is now the POV. When we switch from Susan to John, for example: > ** ---** > > John walked to the kitchen, looking for a sponge to clean Susan up [...]
#1: Imported from external source
by
System
·
2019-07-17T12:06:35Z (over 5 years ago)
Original score: 2