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Q&A Is an easily guessed plot twist a good plot twist?

I'm going with a frame challenge. Not all reveals are a "twist" A twist is new information that changes the meaning of earlier events. This is done by writing 2 plots with the same events. The MC...

posted 5y ago by wetcircuit‭  ·  last activity 4y ago by System‭

Answer
#3: Attribution notice added by user avatar System‭ · 2019-12-08T12:31:40Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/46834
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by user avatar wetcircuit‭ · 2019-12-08T12:31:40Z (over 4 years ago)
I'm going with a frame challenge.

## Not all reveals are a "twist"

A **twist** is new information that changes the meaning of earlier events. This is done by writing 2 plots with the same events. The MC believes the 1st plot until the twist when the 2nd plot is revealed as the true version of events. Readers should be able to re-read the story knowing the twist, and everything still makes sense (lines will have double meanings, motives are misinterpreted, etc).

To make this reveal be a twist, the story needs to make us believe that someone _else_ murdered Eris' family. Maybe Eris believes she will find evidence this other person is the killer in the diary.

(I don't think this is the set up in your story, and I'm not trying to re-write it.)

## It's a character's "truth"

What you have is more like a character struggling to face their own **truth** , and in most stories the protagonist will be the last to know, or the last to accept it. This "truth" has been the thing they've avoided. A friend tells them but that stirs conflict and triggers psychological defenses. The storyworld points them to this conclusion, but part of the MC's struggle is that they don't want this truth – it's painful.

The reader needs to understand this truth at least few steps ahead of the character so we can know what's at stake, and what is motivating the MC's behavior. It is _a kind of mystery_, but it's more of an emotional, character-oriented mystery. The feeling should be more like "What has _wounded_ this person to make them be this way?", not so much a Mission Impossible, pull-off-the-rubber-mask, "And you never suspected it was me! Hahaha!"

## TL;DR

I think you're going for an _emotionally vulnerable_ moment where **the protagonist faces her demons** , not a _"omg-wtf I never saw THAT coming…"_ plot twist.

A "truth" reveal and a "twist" reveal would probably happen at the same point in the story but they are _tonally different_ and move the story in very different directions. One emphasizes character growth, probably the climax of an emotional arc. The other _fakes at being character growth_ but then throws all that emo stuff in the waste bin and introduces a new villain to chase for the last act.

#1: Imported from external source by user avatar System‭ · 2019-07-23T10:52:53Z (almost 5 years ago)
Original score: 20