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So, I have this little story I would like to tell. It's about a girl and how she's forced to take a journey with the man who has just killed her father. I'll skip the details. The point is I'm no...
#3: Attribution notice added
by
System
·
2019-12-08T12:33:12Z (almost 5 years ago)
Source: https://writers.stackexchange.com/q/46883 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
by
Andrea Panda Zen
·
2019-12-08T12:33:12Z (almost 5 years ago)
So, I have this little story I would like to tell. It's about a girl and how she's forced to take a journey with the man who has just killed her father. I'll skip the details. The point is I'm not interested in the figure of her father; for what I would like to tell this is not important. So I've considered starting exactly from the moment when the poor man is killed. Or even after that, when the two are forced to "join" for a while. My fear is that the reader won't feel invested about the situation, and I would like to create a tension between this two, and most importantly a sense of hate. But why should I hate someone that has killed a stranger? Should I have some scene where the protagonist interacts with this father before he's killed?
#1: Imported from external source
by
System
·
2019-07-24T20:15:44Z (over 5 years ago)
Original score: 13