Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

How to write a book from NOT the main character's POV and then organically switch the main character

+2
−0

How can you write a book from the point of view of a character who is not the main character and introduce the main character later on, who you want the story to focus on? How do I do this in an organic and yet plot twisty way so that the audience says wait he's the main character?!

If you need any more explanation let me know.

History
Why does this post require attention from curators or moderators?
You might want to add some details to your flag.
Why should this post be closed?

This post was sourced from https://writers.stackexchange.com/q/49046. It is licensed under CC BY-SA 4.0.

0 comment threads

2 answers

+2
−0

I have two suggestions:

  • Classical approach by chapter: First chapter is an exhibition or prelude from the villain's POV. Where the MC maybe has a role in it, so the reader is introduced to him. Some thing about him should be identifiable.

    The next chapter then jumps to the MC. And here you can use the identifying thing to establish that the reader is now in a different role.

    But keep in mind: You can "surprise" the reader surely, but if you downright "lie" in their face over large parts of the story and then midway of the book switch characters, this might lead to frustration. The reader invested time and kept reading because he thought this char was interesting. It should be stringent who plays the main role from some point on.

  • Unconventional approach: Use two colors. With this you can even have inner monologue or direct dialog between them in one passage.

History
Why does this post require attention from curators or moderators?
You might want to add some details to your flag.

0 comment threads

+0
−2

The "main character" is a side character narrating events from their perspective. Gradually reveal the main character's importance through his actions, conflicts, or pivotal events. A sudden twist, like a hidden strength, secret, or heroic act, can change the spotlight. The audience realizes the story was always about them, refocusing the narrative organically.

History
Why does this post require attention from curators or moderators?
You might want to add some details to your flag.

0 comment threads

Sign up to answer this question »