Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

80%
+6 −0
Q&A Why does the second act 'reaction' and then 'action' need to be drawn out?

I subscribe to the school of writers who like to (and often must), outline their stories before writing them. For a long time however, I did not use the 3-act structure. My mentality on that has no...

4 answers  ·  posted 5y ago by Thomas Myron‭  ·  last activity 5y ago by Kevin‭

#1: Initial revision by user avatar Thomas Myron‭ · 2019-12-12T19:15:56Z (about 5 years ago)
I subscribe to the school of writers who like to (and often must), outline their stories before writing them. For a long time however, I did not use the 3-act structure. My mentality on that has now changed, and I find myself playing catch up. 

One part in particular of the 3-act structure has me somewhat stumped, and I was hoping for some help on it: the second act. 

I'm very much someone who needs clear steps. The first and third acts have these steps, and it's easy to build these acts as a result. The second act does not. The most I've been able to get in the way of steps is as follows: 

 - Character reacts to Point of no Return. 
 - Unclear 'phase' in which the character continues to react. 
 - Midpoint, which starts the character acting to win, rather than reacting to survive. 
 - Second unclear 'phase' in which the character continues to act. 
 - Darkest Moment, where the character fails. 

Everything after the darkest moment is perfectly clear to me. It's those two phases which I have trouble with. I understand that they are there to bridge the gap to the Midpoint first, and then the Darkest Moment (usually preceded by a seeming victory). But I'm not seeing them as needed. Why can't the outline be as follows: 

 - Point of No Return. 
 - Character reacts to Point of No Return, struggling to survive. 
 - Midpoint. 
 - Character acts to win against the antagonistic force. 
 - Seeming victory
 - Failure, leading to darkest moment. 

That makes sense to me, but everything I've seen says that the second act comprises roughly 50% of your story, and that the reaction and action before and after the midpoint are super stretched out. Why do they need to be so long?