Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

60%
+1 −0
Q&A How to give the readers breathing space, without putting them to sleep?

I read a book called The Poison Throne (part of the Moorehawke Trilogy) by Celine Kiernan recently where I felt this was done incredibly well. She would build up the tension by building up the atmo...

posted 13y ago by Lexi‭  ·  last activity 5y ago by System‭

Answer
#3: Attribution notice added by user avatar System‭ · 2019-12-08T01:54:54Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/3877
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by user avatar Lexi‭ · 2019-12-08T01:54:54Z (about 5 years ago)
I read a book called The Poison Throne (part of the Moorehawke Trilogy) by Celine Kiernan recently where I felt this was done incredibly well. She would build up the tension by building up the atmosphere of distrust between characters and hinting at violence to come, which would climax in said violence. Then she would give the readers a break with a scene or chapter in stark contrast to that atmosphere, where the characters are in the privacy of their own room(s) and you can see the very real, underlying love and trust between them that usually has to be hidden. It was a good way to let the reader catch their breath and far from sending them to sleep, it made the scene more powerful emotionally. Then the scene would launch another round of tension-building.

I think what made this work was the contrast. The tension comes from the characters not knowing who they can trust, and knowing that a single misstep in a world where everyone seems to be hiding a knife behind their back could cost them not only their lives, but that of those they love. Then she gives the reader glimpses of quiet times when the characters know that they can completely and utterly trust everyone else in the room and let down their guard.

Obviously your story won't have the exact same scenarios, but you could try contrasting technique and see if it works for you.

#1: Imported from external source by user avatar System‭ · 2011-09-08T23:23:28Z (over 13 years ago)
Original score: 3