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Q&A What is a discovery writer?

Expounding on John Smithers's excellent answer: I would say if you have not plotted out your story (which happens in which chapter and why) before you start writing it down, then you are a discov...

posted 13y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2019-12-13T12:00:00Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/4031
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T01:57:25Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/4031
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by (deleted user) · 2019-12-08T01:57:25Z (almost 5 years ago)
Expounding on John Smithers's excellent answer:

> I would say if you have not plotted out your story (which happens in which chapter and why) before you start writing it down, then you are a discovery writer....But normally you are likely to get consistency problems (and other issues).

Yes, and I would take this definition even a step further: if you have not plotted out _anything_ about your story — where it goes, what happens, how it ends, not just each chapter — that makes you a discovery writer. I worked with a writer like this once; she told me that sat down at the keyboard and typed to see what the characters would do, because as the writer, she herself didn't know.

This may be fun for the writer, like doing improv acting, but the result is not necessarily satisfying to the reader. (Or the editor.) A good story needs a coherent plot which hangs together from beginning to end and characters who behave believably (not just arbitrarily). This is, IMHO, hard enough to do when you _do_ have a thoroughly outlined plot beforehand, so doing it on the fly is even more difficult.

One of the issues I find with, for example, Stephen King's suggestion (see what the characters do) is that what real people would do in real situations may not make for a good story! :) It may be typical and believable for two friends having a disagreement to have a fight and then stop talking forever, or to talk the issue out and make up calmly, but neither of those outcomes are dramatic, or allow the story to move forward.

I would distinguish this from having a goal for a section (chapter, scene), and saying "I need Peter to do this, Nathan to do that, and Claire to have this reaction" and just writing to see how you get there. To me, that's being flexible and allowing your characters to be themselves.

#1: Imported from external source by user avatar System‭ · 2011-09-21T13:59:17Z (about 13 years ago)
Original score: 5