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If you are having a huge problem getting the stories on paper because juggling both at once is confusing, then yes. I would certainly outline them individually. I prefer to write linearly — in the...
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#4: Attribution notice removed
by
System
·
2019-12-13T12:00:00Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/4122 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
by
System
·
2019-12-08T01:58:36Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/4122 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
If you are having a huge problem getting the stories on paper because juggling both at once is confusing, then yes. I would certainly _outline_ them individually. I prefer to write linearly — in the sense of writing the story pretty much in the order it will appear in the book, with a few exceptions for inspiration or to get around writer's block — so that I minimize the amount of backtracking I have to do. You would need to backtrack if you realized you forgot some bit of exposition or explanation, for example, or if you needed to put in some foreshadowing, or to shift a point of tension. If you have two A-plots going on at the same time, you generally want both plots to have similar levels of tension. Whether you want them both to rise and fall simultaneously or for one to rise while the other is falling is up to you and your story. For me as a writer, that would be easier to see if I were writing the scenes in the order they would appear.
#1: Imported from external source
by
System
·
2011-10-05T11:02:41Z (about 13 years ago)
Original score: 6