Post History

Source: https://writers.stackexchange.com/a/719
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Art is obsession, and how well (or badly) it's dealt with seems to fascinate artists.

**Ernest Hemingway** was the focus of Dan Simmons's _[The Crook Factory](http://en.wikipedia.org/wiki/The_Crook_Factory)_, a faux-historical novel set mostly in Cuba; and also Joe Haldeman's _[The Hemingway Hoax](http://en.wikipedia.org/wiki/The_Hemingway_Hoax)_, where the eponymous hoax is interrupted by the ghost of Hemingway itself (maybe, the story isn't all that clear on that). The former book is more about the writer and his effect on the protagonist, an FBI agent, the latter about his writings and he process of writing (even though it's the process of forging prose that will fool experts). Both books are concerned with the effect of Hemingway's strong personality on the viewpoint characters. He was a colorful figure, and I wouldn't be surprised ol' Ernest is a character in many more books.

Three installments of Neil Gaiman's _Sandman_ graphic novel concern **William Shakespeare** and the act of writing: more specifically, _[Men of Good Fortune](http://gestaltmash.com/2010/10/sandman-meditations-men-of-good-fortune/)_, _[A Midsummer Night's Dream](http://en.wikipedia.org/wiki/The_Sandman%3a_Dream_Country#A_Midsummer_Night.27s_Dream)_ and _[The Tempest](http://en.wikipedia.org/wiki/The_Sandman%3a_The_Wake#.22The_Tempest.22)_ are three issues that concern The Bard and his deal with Morpheus. This mini-arc echoes throughout the rest of the 75-installment tale and concerns preserving great stories, and the sort of immortality an artist can achieve. My favorite line from the entire work is "The price of getting what you want, is getting what you once wanted." (Typed from memory.)

I'll round this out with a fictional example: **[Kilgore Trout](http://en.wikipedia.org/wiki/Kilgore_Trout)** is perhaps the most well-known hack writer in American literature. **Kurt Vonnegut**'s creation was actually based on Theodore Sturgeon, and the character's most significant appearance is in Breakfast of Champions, where he finds out that he is the creation of another writer, and he [meets his maker near the end of the novel](http://www.vonnegutweb.com/vonnegutia/trout/kt_interview.html). Trout writes what seems would be terrible stories, and has published dozens of them in his life. However, he has his fans, who seek out their idol's work in porn shops and bargain bins. This endlessly fascinating character has written books he's never even seen a copy of, but are published _somewhere_. The message seems to be that life is a pointless farce, and there is no message except for what we may read into it. Life may be dreary, but let's laugh at it anyway!

I also find that, while I'm reading any story with Kilgore Trout in it, I find myself more conscious that this is a book written by a writer, and that these are words on a page. I somehow still care about the characters, especially the "minor", insignificant bit-parts.

* * *

Sooner or later, I think most artists will create a work that's meta to at least some degree. Pete Townshend wrote [Psychoderelict](http://en.wikipedia.org/wiki/Psychoderelict), the story of an aging, artistically failing hippie rocker in the modern world; Pink in _The Wall_ nearly dies of a drug overdose before playing a concert; Federico Fellini made the wonderfully confusing [8 1/2](http://en.wikipedia.org/wiki/8_1/2), a film about a director creating a film that cannibalizes his own life; and (my favorite), [[Title of Show]](http://en.wikipedia.org/wiki/Title_of_Show), A broadway musical about two guys writing a musical about writing a musical.

In general, the theme of mining life for artistic inspiration comes up often. In Gaiman's _The Tempest_, Shakespeare notes that when his son died, he mourned, but was also glad: Now he could write of true tragedy and make the pit weep true tears. In _The Crook Factory_, Simmons notes that everything in Hemingway's life was secondary to Hemingway. Kilgore Trout is the only writer on this page who did not let his art consume his life, and he's fictional. Similar themes are veined throughout the three non-literary works I mentioned above, and are resolved with varying degrees of healthy outcomes.

Original score: 5