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I'm not aware of any term for it, but I would suggest that it's a bad idea. Unless the consistent repetition occurring at the end and beginning of every line is arguing, somehow, for some kind of l...
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#3: Attribution notice added
by
System
·
2019-12-08T02:05:19Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/4603 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
by
Lockjaw
·
2019-12-08T02:05:19Z (almost 5 years ago)
I'm not aware of any term for it, but I would suggest that it's a bad idea. Unless the consistent repetition occurring at the end and beginning of every line is arguing, somehow, for some kind of legitimately _emotional_ refrain -- and spastic urgency is the only thing that suggests itself offhand -- then the device is going to scream _gimmick_ and whatever emotional effect you were seeking is going to be trumped by an annoying, textual stutter, one that immediately becomes predictable. With forms that mandate repetition of various kinds, such as the sestina or villanelle, the form itself also incorporates variety and allows for the poet to play with how that repetition is read. It's probably better to avoid something like this, especially with such short lines, and let the words simply express the core argument and figuration, viz., trust your language.
#1: Imported from external source
by
System
·
2011-12-11T21:34:08Z (almost 13 years ago)
Original score: -1