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Character jumping can be done gracefully, but it's important to master the concept of one character perspective per scene first. It's tempting to jump around, but you will find that your writing ge...
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#3: Attribution notice added
by
System
·
2019-12-08T00:41:59Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/244 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
by
JMC
·
2019-12-08T00:41:59Z (about 5 years ago)
Character jumping can be done gracefully, but it's important to master the concept of one character perspective per scene first. It's tempting to jump around, but you will find that your writing gets better when you slap a constraint of no head jumping mid-scene. The writing is better because you're forced to build intimacy with the current character instead of trying to show everything at once. Head jumping jars the reader naturally because you're breaking the intimacy with the current character, and forcing your audience to understand the situation through a whole new perspective. For your specific issue, try picking the most important character in the scene so it doesn't fall flat. The issues you ran into by staying with one character (short chapters or no impact) seem like a core issue in the approach toward the story. When the story requires so many characters to tell their thoughts in one scene, imagine the potential for reader confusion as they try to relate to the concepts.
#1: Imported from external source
by
System
·
2010-11-19T19:06:26Z (about 14 years ago)
Original score: 3