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GRRM's primary goal with Feast was to fill in crucial details, whereas most of the volumes had the goal of portraying epic plot and conflict. I'd suggest that the structure used in the previous vol...
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#4: Attribution notice removed
Source: https://writers.stackexchange.com/a/5187 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/a/5187 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
GRRM's primary goal with _Feast_ was **to fill in crucial details** , whereas most of the volumes had the goal of **portraying epic plot and conflict**. I'd suggest that the structure used in the previous volumes - interlacing novellas told from different viewpoints, collectively portraying a larger plot - is a great match for the latter goal, and a poor match for the former. Interlaced narrative is great for a multi-faceted plot. Individual details, on the other hand, don't need to be forced into a single narrative. There's no inherent reason to try and swirl them all together - while some creative interactions can yield brilliant, unusual plots, it's also possible to simply convey the different points separately, one by one. In other words, I think _Feast_ would have been better conceived as **an anthology of short stories.** Short stories are an excellent way to convey focused information. They can zoom in on a particular character, time, place, or society. They're less limited by the narrative needs of a full novel (or a complete volume of a saga). And they can let individual characters quickly sum up a lot of what they're going through, while concentrating on a single, specific exciting event. (Interlaced narrative doesn't let you do that, because you need to either spread the single event over the whole book, or else have _lots_ of exciting events, not one.) For example, Brienne's oft-maligned arc could have been confined to a short story - for example, beginning with her expecting to find Sansa and discovering the outlaws instead, and then speeding right up to her finale with Catelyn. As a short story, this would have worked very nicely. I think many of the other arcs could be similarly condensed; similarly, using unusual and one-time viewpoints (as in the Dornish and Kingsmoot arcs) would have been easier, more natural, and more flexible - in fact, other more unusual framing POVs could have been employed as well. As an aside, I'd suggest that considering individual short stories (rather than a full double-volume novel) would make it much easier to identify when a story sags or meanders. This could also be fixed more easily, by shortening the story without rearranging the structure of the entire book. Lastly, I think an anthology of "tales from the interim" would have better conveyed the nature of the book, its inherent _lack_ of epic-scale developments, its focus on things _other than_ advancing the main characters and plot. It would have stood out as a volume that was fundamentally and intentionally _different_ from the others, and I think it could have served that purpose well.