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1) As far as concept, there's nothing to improve. I like this quite a bit. The mystery and the philosophy dovetail nicely. There isn't a lot of action, and whatever "happens" is occurring in dialog...
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#4: Attribution notice removed
Source: https://writers.stackexchange.com/a/5409 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/a/5409 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
1) As far as concept, there's nothing to improve. I like this quite a bit. The mystery and the philosophy dovetail nicely. There isn't a lot of action, and whatever "happens" is occurring in dialogue. This works really well. 2) Action tags can be almost anywhere you like; it's mostly a choice of style. As long as it's clear to whom the action belongs, there's no particular rule. I suggested one spot to fix below, but otherwise all your action tags are clear. 3) Minor fixes: > her lips slightly _parted_ Mouths are open, lips are parted, because there are two and they are parted from one another. I would put a line break before "She leaned her head..." so that it's clear that the next line of dialogue is hers. > closed the _bottle_ You can't close a glass, and he wouldn't be returning the glass to the shelf. Either: > _"What_ does it look like?" OR > "_How_ does it look?" > > washed _his_ hands Either: > was in _the_ right place OR > was in _its_ place > > _What's this drink_ called? That's important, so that we know she means the drink and not the philosophical concept he's discussing. > started drawing circles They're not imaginary because she's drawing them on the glass, even if she's not writing them with ink. > she continued, "there is Comma instead of period, lowercase T