Too much exposition in my full-length play: how to fix it?
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Dear Writers & Playwrights;
I'm working on my first full-length play. In workshops, the feedback is consistently, "Too much exposition." I agree with the criticism.
What I'm struggling with is . . . now what?
Any suggestions on how to transform exposition to action?
I know there's no simple answer to that question but any thoughts would be appreciated.
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