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Source: https://writers.stackexchange.com/a/7054
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Source: https://writers.stackexchange.com/a/7054
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

**1) Character drives plot.**

Go back to your character sheets, or cook up a few secondaries, and see what their backstories tell you.

I've seen J. Michael Straczynski credited with:

> Conflict is made up of three things: What does your character want? What will they do to get it? What will someone do to stop them?

So look into the backstories of your characters and find out something they might want but haven't been able to get, and determine why. That will generate plot ideas which are more organic to your story than anything TVTropes will be able to churn up. (Not that TVTropes isn't outstanding at that kind of thing.)

**2) The Hero's Journey.**

Oldest narrative hook in the business. If you can't find even a minor plot bunny in there somewhere, your story needs more help than we can give you. There's even a [book](http://rads.stackoverflow.com/amzn/click/193290736X) if you need it. See also Joseph Campbell's _Hero With a Thousand Faces,_ but that's becoming procrastination more than research.

**3) Pulp fiction.** No, bear with me.

John Rogers, mastermind of the late and much lamented _Leverage,_ is greatly fond of pulp, in the classic sense — those dime-a-dozen novels which were churned out in the '50s and '60s, with formulaic but rat-a-tat-tat action and snappy banter. You can consume a whole book in one train ride (but you can't eat just one). He recommends the [Lester Dent Pulp Paper Master Fiction Plot.](http://www.paper-dragon.com/1939/dent.html) I cannot recommend this personally, but I pass it on because it certainly sounds like you could mine it for resources.

Original score: 6