Is there any standardized definition of a "Mary Sue"?
I've heard the term "Mary Sue" thrown around a lot, and it seems to mean different things to different people, but is always something negative about the way the character is written, not necessarily about the character itself, usually involving the phrase "overly idealized". Is there any common definition that most people follow that can be properly qualified?
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A "Mary Sue" is a character who represents a highly-idealized version of the author (usually). This is the sort of character who, as needed, can perform brain surgery with one hand on a turbulent jet that she's piloting absent-mindedly while working on a cure for cancer -- that sort of thing. Wikipedia gives the origin as:
The term "Mary Sue" comes from the name of a character created by Paula Smith in 1973 for her parody story "A Trekkie's Tale"[2]:15 published in her fanzine Menagerie #2.[3] The story starred Lieutenant Mary Sue ("the youngest Lieutenant in the fleet — only fifteen and a half years old"), and satirized unrealistic Star Trek fan fiction.[4]
While this originated with teen females with romantic interests, the article goes on to say, and my friends who write fan fiction confirm, that it's since evolved into exaggerated "super-everything" wish-fulfillment along the lines of my first paragraph. Sometimes super-everything characters who aren't proxies for the author are also called Mary Sues.
According to Lauren Ipsum (see comments), the masculine form is "Marty Stu".
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I'd like to make an amendment to the above. It's entirely possible to have a unique, overly-described character who isn't a Mary Sue, and a character with little to no description who is. There's no real formula that can exactly pin this down. Those listed above have good points and went over the common tell-tale signs, but here's what I consider to be the real problem:
Undue attention.
Mary-Sues get the attention of the author for not having done enough. They get the attention of the characters around them for reasons that just don't exist in the story, for good or ill. A character that everyone hates for no good reason is as much of a Mary Sue as one who's universally loved. Anti-Mary-Sues fall for the same sins as what they were trying to protest. Their ego, the author's love of their darling pearl, and private fantasies and wish fulfillment has out-shown the story they were going to write.
I'm going to suggest that everyone forget what they know about Mary-Sues, though. Don't think about them. Don't concern yourself. Keep your own ego in check, and try to develop all your characters without focusing on too much on a favorite. Listen when your writing buddies say 'how is she getting away with this?' and find a good answer. The symptoms of Mary Sue-ism will fade, even if you keep the violet eyes and fiery hair.
People too afraid of falling into this category can drab their characters down until they're no longer interesting. I've known quite a few writers too scared to let anything interesting happen in their books, crying 'realism!' as if a baseball bat of critical disbelief was going to beat them at any moment. I used to be one of them. And I wrote Mary Sues in my early teens, before my writing matured and I found more interesting things to pursue instead.
Keep your work balanced, work hard on your writing, and don't worry about what people have done before. Writing's too much work to spend all your energy scared of what other people might think of you.
This post was sourced from https://writers.stackexchange.com/a/7438. It is licensed under CC BY-SA 3.0.
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