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Q&A How is parallel construction viewed in literature?

In reverse order: As far as plagiarism, it depends on what you're doing with your take-off. Is it mean to be performed in public? Are you trying to get a recording contract? Does the music of you...

posted 11y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2019-12-13T12:00:15Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/7568
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T02:48:05Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/7568
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by (deleted user) · 2019-12-08T02:48:05Z (almost 5 years ago)
In reverse order:

As far as plagiarism, it depends on what you're doing with your take-off. Is it mean to be performed in public? Are you trying to get a recording contract? Does the music of yours sound the same note-for-note as the original? Is the original copyrighted? Do the monetary rights belong to a composer? Then you're veering into copyright territory, and I'd consult a lawyer. If it's just for you, don't sweat it — it's sort of "fan fiction." (Or parody, but that's an entirely different kettle of fish.)

Whether that structure is used a lot in poetry I have no idea, because _poetry_ is a vast ocean spanning languages, cultures, and millennia. It's like asking "are there a lot of sonnets?" Well... yes and no. Shakespeare wrote a lot of them; not many people are writing them today. Does it matter?

#1: Imported from external source by user avatar System‭ · 2013-04-04T13:20:59Z (over 11 years ago)
Original score: 2