Does writing in a certain mood change how a writer writes?
I'm not sure if this is right for this part of Stackexchange, but since there is no psychology section, here we go:
I'm currently writing the same short story several times with the intention of conveying one very intense emotion each time. I'm wondering if "putting yourself" in the emotion charges you to write better to that effect.
I'm trying to imagine some link similar to the one in acting. I've heard that thinking of something sad to make oneself cry, or Heath Ledger's depression he experienced during his role as the Joker, one so intense he ended up needing medication.
Is there a connection between the emotion a writer is feeling with how a feeling is being conveyed in the writing?
This post was sourced from https://writers.stackexchange.com/q/7818. It is licensed under CC BY-SA 3.0.
2 answers
You are accessing this answer with a direct link, so it's being shown above all other answers regardless of its score. You can return to the normal view.
It does impact how you write, and possibly your ability to write, but not always in a predictable or positive sense.
At first it might seem that it's easier to write about a particular emotion when you're experiencing that emotion. Not necessarily. Let's assume that you can somehow work yourself into that emotional state without it seeming strained or artificial. (I'm glossing over that, but recognize the ability to do so is remarkably difficult unto itself.) Does that really give you any value when it comes to portraying that emotion?
For first-person stories, perhaps, but even then it will require significant editing. People undergoing an intense emotion tend to get wrapped up in that emotion, but you don't want that kind of directionless anger, depression, or what have you in a story. There should be enough to get a sense of it, but getting lost in it means you run the risk of losing the narrative, and therefore the reader's attention.
In third-person I'd say it's almost useless. Unless you're going to let the character's thoughts take over the narrative in some subtle way, there's no point. You need to remain firmly in the mind of the narrator, even if your third-person story follows characters (or possibly just one character) closely.
That said, it is helpful when it comes to writing about intense emotion to have experienced that emotion, but the key here lies in past tense. It's hard to describe something when you're currently experiencing it, but far easier when it's a memory. After all, intense emotion is more often than not an inhibitor of logical thinking, which isn't very helpful when you need to sit down and pump out a story.
This post was sourced from https://writers.stackexchange.com/a/7845. It is licensed under CC BY-SA 3.0.
0 comment threads
I am reminded of the anecdote about Dustin Hoffman torturing himself for Marathon Man because he was a "Method" actor, so he'd look as tortured as his character. Lawrence Olivier looked at him and said, "My dear boy, that's why they call it acting."
Whenever we write, unless we're writing an autobiography, we are always putting ourselves into someone else's mood, experience, mindset, etc. So while you can take notes when you're in a particular mood to use for later, just because you're depressed doesn't mean you'll write brilliant prose from the POV of being depressed. You may just be too depressed to write anything.
That is, in fact, "changing how a writer writes," but not, I think, in the way you meant.
0 comment threads
0 comment threads