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Your problem is that you're trying to use one tool for two opposing tasks. You're using an outline as a guide for writing (what happens next). You want to use your outline to gauge the size of y...
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#4: Attribution notice removed
Source: https://writers.stackexchange.com/a/8140 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/a/8140 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
Your problem is that you're trying to use one tool for two opposing tasks. - You're using an outline as a guide for writing _(what happens next_). - You want to use your outline to gauge the size of your work _(what has already happened)_. If you can't gauge the size of your work by reading the actual text, then my suggestion is to keep two outlines. Your **writing** outline is the one you use to create the book. This is a working document, and it can have as many or as few bullet points as you need. This is the one which has breathing room for pantsing. - Friday night: John goes to the pub. Thinks about his life and decides it doesn't suck. Your **reading** outline is the one you use to measure your progress. _After_ you finish writing for the day, or maybe at the beginning of a session as a refresher to get you back in the groove, you turn your text into bullet points outlining what you wrote. This document is descriptive. - Friday night: John goes to the pub. - Gets his usual. - Sits in usual chair, watches regular crowd shuffle in. - Starts thinking about the rut he's in. - Considers whether he needs a new job. Rejects idea. - Considers whether he needs a girlfriend. Rejects idea. - Startled by Greg joining him. - Greg starts telling John about his day. - John concludes his life is not so bad. Once your descriptive outline is finished, you can see quickly whether your scenes are balanced to your satisfaction.