Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

60%
+1 −0
Q&A Elmore Leonard said Avoid Prologues... Why?

Orson Scott Card has discussed, in several places, how prologues (particularly to fantasy epics) tend to be dull, disembodied history lessons. For example, from an interview: The most common mi...

posted 11y ago by Standback‭  ·  last activity 5y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2019-12-12T20:06:02Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/9580
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T03:13:23Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/9580
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by (deleted user) · 2019-12-08T03:13:23Z (almost 5 years ago)
Orson Scott Card has discussed, in several places, how prologues (particularly to fantasy epics) tend to be dull, disembodied history lessons. For example, from [an interview](http://www.writersdigest.com/qp7-migration-books/card-interview):

> The most common mistakes come in picking where and how to begin their story. Too many people believe that old canard about plunging into the middle of the action: _in medias res_, the way the classic epic poems began. We see it now in the meaningless car chase, where you don’t know who is in either car, so you don’t care whether the fleer is caught or gets away. The lonely sad person crying, as we then flash back through the entire story.
> 
> _(snip)_
> 
> But the flip side of the in medias res opening is the hideous dump-the-trunk prologue opening, where the writer thinks we won’t understand anything unless we are first told these eight paragraphs (or eighteen pages) of really boring, unintelligible, and unmemorable facts.
> 
> Beginnings are all about expository flow — getting information from your head into the reader’s head as painlessly and memorably as possible.
> 
> If you have selected the right point-of-view character, then you can simply tell us, as it comes up, what the character already knows and is already thinking about, and then bring up each new piece of information as he or she learns it. If you need a prologue, or a flashback within the first chapter, or a long explanation to catch the reader up, you’ve started in the wrong place.
> 
> And most — no, nearly all — first novels make one or the other mistake in how the opening of the story or novel is handled.

To generalize a bit further, I'd say this: Even if your prologue is a great snippet of riveting fiction, it probably feels _disconnected_ from your first few actual chapters. (If it weren't, it wouldn't be a prologue. It'd be Chapter 1.) But the beginning of your novel is a really miserable place to have a _disconnected_ piece of fiction. The reader wants to find out what the story is and what it's about; starting out in one direction and than shifting immediately into another becomes an obstacle to doing that.

As all writing advice, there's no rule without exceptions. I don't recall anybody objecting to the prologue in the first _Song of Ice and Fire_ book, which sets up a major menace and also introduces important parts of the setting before the main plot can get there. _The Hitchhiker's Guide to the Galaxy_ has a short little prologue which is pitch-perfect in setting the tone for the entire book. Understand the risks, know what problems to watch out for, and then you'll have a decent idea of whether your own prologue is problematic or not.

#1: Imported from external source by user avatar System‭ · 2013-11-30T20:32:32Z (almost 11 years ago)
Original score: 4