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Q&A I'm looking for advice on character development

You have too many characters As soon as your characters begin to resemble each other, you have more characters than you are able to deal with. It might be a problem of having more characters than...

posted 6y ago by System‭  ·  last activity 5y ago by System‭

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Q&A How can I mention errors in the data that I received in my thesis? Where to mention it?

With four weeks still to go, the emphasis on your thesis has shifted from one of presentation to one of finding out what went wrong. This will lead you to three probable outcomes : 1) You discover...

posted 6y ago by ItWasLikeThatWhenIGotHere‭  ·  last activity 5y ago by System‭

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Q&A Translating worldbuilding into an interesting opening

Worldbuilding gives you the setting in which to tell a story. It is not the story itself. As a writer you need to wear many different hats. Architect is one hat, and editor is another, but the o...

posted 6y ago by Chris Sunami‭  ·  last activity 5y ago by System‭

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Q&A Are characters' internal thoughts written in past or present tense?

I would like to say that the thoughts take place in the present, given that they are narrating what is happening around them.

posted 6y ago by Aspen the Artist and Author‭  ·  last activity 5y ago by System‭

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Q&A Writing a song as the hook

For some reason, when I read this question, my thoughts were immediately drawn to the book The Demolished Man by Alfred Bester. At one point in the classic science fiction story, the protagonist is...

posted 6y ago by Jason Bassford Supports Monica‭  ·  last activity 5y ago by System‭

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Q&A 'The Chosen One' paradox

Very fun question. Is it a paradox that "the Chosen One" is the only one that can defeat the great evil they face, or are they "the Chosen One" because they are the only one that can face it? I don...

posted 6y ago by Rhettmartens‭  ·  last activity 5y ago by System‭

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Q&A 'The Chosen One' paradox

This is the beauty of the Oracle scene in the Matrix and the Beauty of Breaking the Vase (Upon entering the Oracle's kitchen, the Oracle tells Neo not to worry about the vase. Neo looks around for...

posted 6y ago by hszmv‭  ·  last activity 5y ago by System‭

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Q&A Respecting classic dramatic structure in a documentary

As @Galastel has already noted, the standard documentary approach is to film everything, and then to craft a story only at the end, and through the editing process. This is because the story you m...

posted 6y ago by Chris Sunami‭  ·  last activity 5y ago by System‭

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Q&A Dropping subtle hints about a character's sexuality

I don't want to make it too obvious before the reveal. OK, question: why not? Consider the fundamental structure of a plot twist, or a reveal. It's usually either: Reader is expecting A; ha...

posted 6y ago by Standback‭  ·  last activity 5y ago by System‭

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Q&A In what order should I name characters?

You are writing in the order that is important in that situation. There is no clear rule and you can vary from situation to situation. For example you could simply start with the first one to ent...

posted 6y ago by Secespitus‭  ·  last activity 5y ago by System‭

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Q&A What makes "thrilling" writing?

The defining characteristic of the thriller genre is suspense. That is, the audience expects something bad to happen. Suspense can be created if the audience knows more than the main character. Fo...

posted 6y ago by Galastel‭  ·  last activity 5y ago by System‭

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Q&A How to Write an Eldritch Abomination?

The problem here is that by giving him a clearly understandable (even if evil, misantropic) goal, you're making your Fenrisúlfr more human-like. Sure, we can say - by rough sketch - that it wants ...

posted 6y ago by Liquid‭  ·  last activity 5y ago by System‭

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Q&A Are chapters with a single character inherently more difficult for an average reader to connect with? (And do you have any tips.)

There are quite a few critically acclaimed novels that feature only a single character. For example, William Golding's Pincher Martin tells of how the protagonist reaches a rock in the sea after a ...

posted 6y ago by System‭  ·  last activity 5y ago by System‭

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Q&A Are chapters with a single character inherently more difficult for an average reader to connect with? (And do you have any tips.)

A chapter generally needs a miniature conflict and arc of its own, and as such must have some kind of tension. As you pointed out, having multiple characters makes it somewhat easy, but a character...

posted 6y ago by Matthew Dave‭  ·  last activity 5y ago by System‭

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Q&A What makes "thrilling" writing?

Love the question! IMO It is very distinct from the gore fest that makes a good horror. A good thriller will grab your interest - you won't be able to put it down. It will sometimes leave you br...

posted 6y ago by kiltannen‭  ·  last activity 5y ago by System‭

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Q&A How do you make two characters fall in love?

Possible ways include: One night she has a dream about him. It need not be erotic, or even romantic, just the two of them in the same situation. Some detail of his appearance, manner, speech, etc...

posted 6y ago by EvilSnack‭  ·  last activity 5y ago by System‭

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Q&A Should I let my hero die with the villain?

If it's what you're going for thematically, that their duality leads to mutual destruction, then by all means do it. As long as the story builds to that, there's no reason not to do it. If you're ...

posted 6y ago by Matthew Dave‭  ·  last activity 5y ago by System‭

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Q&A How to survive editing

Ditto to the other answers. I break it down into specific goals. Each pass requires about a week. Check commas and other grammatical issues. Fix instances of passive voice. Make character voices c...

posted 7y ago by DPT‭  ·  last activity 5y ago by System‭

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Q&A How can I stop overusing "I" in my writing?

I see this a lot in unpublished writing (including my own early drafts): "I entered the room and saw a red couch and a bookcase. I thought it was a particularly nice red. I heard the clock ticking....

posted 7y ago by Ken Mohnkern‭  ·  last activity 5y ago by System‭

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Q&A Is writing big facts about a character's background good when first introducing them?

As the others have said; you are doing too much telling. As a rule of thumb; don't impart information about the character or environment if it is something they would not be thinking about at the t...

posted 7y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Are connotations with certain names inevitable?

LISA's main character is called Brad because Dingaling's father was called Brad, and he associated the idea of father with that name. He loved his father so much, he renamed his studio to LOVEBRAD ...

posted 7y ago by HorriblePerson‭  ·  last activity 5y ago by System‭

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Q&A Eliminating the Dash in Prose Writing

The em dash does not mean pause. There is no piece of punctuation that means pause. The em dash is a more emphatic substitute for the comma, colon, or parentheses and can be used to indicate omitte...

posted 7y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Is it important to describe every character of the storyline?

It depends. Are you in an omniscient perspective? Are you in a limited perspective? If limited, you'd only describe those attributes that the point-of-view character notices. So, if the point of v...

posted 7y ago by DPT‭  ·  last activity 5y ago by System‭

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Q&A Is it important to describe every character of the storyline?

Remember your own days at school? Some people you knew well - they were your friends. Some you didn't know so well - classmates you weren't close with. Perhaps there were the people you didn't get ...

posted 7y ago by Galastel‭  ·  last activity 5y ago by System‭

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Q&A Is it important to describe every character of the storyline?

I am confused here of whether I should describe each and every character with detail for readers to understand that character's norms, habits, beliefs and nature? Do not do that. All that mat...

posted 7y ago by Amadeus‭  ·  last activity 5y ago by System‭

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