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Q&A Spoilers; What Makes A Feel Good Tragedy?

Stories are an attempt to endow life with meaning. Where ordinary life seems possessed of a terrible randomness, we look to stories to assure us that there is actually meaning and purpose in life. ...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How to write a manipulative protagonist that the audience can connect with

If you want people to sympathize or identify with a character who does awful things, then the people she's doing those things to have to be worse than her. They have to deserve the manipulation and...

posted 8y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A How do I end a comedy sketch?

Generally speaking, humor comes from the unexpected. You anticipate that A will happen, but B happens instead. Someone says "I want to give up cigarettes and switch to vaping." You expect that th...

posted 8y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A How do I end a comedy sketch?

It is well said that there are no rules in funny. A traditional story needs a specific story shape in order to work because the payoff is in the climax and denouement. But comedy, though it can con...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Should a reader have enough information to deduce the twist?

There are two versions of "the reader can't figure out the ending." One is Sherlock Holmes, and the other is Murder by Death. In the Holmes stories, the reader doesn't necessarily see all the deta...

posted 8y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A What are the keywords of fantasy that might deliver the feeling of fantasy

Words individually do not give the feeling of any genre. It is how you put them together to create a picture in the reader's mind. Just as a painter may use the same pallet of colors to paint a uni...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Legality over using a REAL museum and REAL artifacts in a fictional - HEIST novel

Thought experiment: If Dan Brown had required the permission of the Vatican to publish The Da Vinci Code, do you imagine it would ever have been granted? Do you think the Pentagon or the White Hous...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How much character development is necessary beyond what the story line provides?

In story, character is desire. Character is the things you want and the things you are willing to do, or not willing to do, to get the thing you want. Some stories hang a lot of rich detail on thes...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Will bookstores order a self-published book if customers request it?

I have gone to my local bookstore to order a self-published book. I gave them the ISBN, they ordered it, it arrived a week later, I walked in and completed the transaction. The book is now on my sh...

posted 8y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A How do I include translations without ruining the flow of the text?

In addition to this answer here: What's the best way to show a foreign language in a manuscript? If you have a lot of swapping back and forth between two specific languages, and the characters are...

posted 8y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A How to head off a legal reading of a term or phrase?

There really is no way to indicate that you are using a term in a non-technical sense if you use it in a context in which the technical sense would normally be inferred. The best approach to avoidi...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Is this an example of an unreliable narrator?

I'm not sure if what you are describing is unreliable narrator at all. An unreliable narrator is not one who is mistaken about facts. An unreliable narrator is one who is deliberately deceiving the...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How to writer longer stories for a SciFi novel?

A story must always be a story, which is to say that it must have a story arc. The arc of a story is fundamentally built around desire and the things people will or will not do to achieve their des...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Credibility of using English in non-English-speaking worlds

The notion of "willing suspension of disbelief" is one of the most misleading phrases in the literature of writing (right up there with "show don't tell"). It is very much worth reading Tolkien's O...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Credibility of using English in non-English-speaking worlds

In reality, if you found an ancient scroll written in Old English from a 1000 years ago, it would probably still be unintelligible to the modern person! If you worry about it, I'd give your charac...

posted 7y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A What's better in fiction: to make personal statements or universal statements?

It depends on what you want to accomplish with the scene, and the character. Neither one is better writing per se. They do have slightly different tones, and slightly different meanings. "When y...

posted 8y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A What's better in fiction: to make personal statements or universal statements?

The point of fiction is not to make statements. If you want to make statements, write an essay. The point of fiction is to give the reader an experience. The reader may, of course, reach a conclu...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Not sure if my idea for a conclusion is introducing a new argument

Rhetorically speaking, your conclusion should not be a mere summing up of arguments already presented. Rather, it should build a rising tide of emotion and conviction to carry your reader irresisti...

posted 7y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Magic and logic

There are two basic uses of magic in literature. One is as a catalyst for a cautionary tale on the dangers of power. Examples of this include The Lord of The Rings and A Wizard of Earthsea. The for...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Print runs, unsold books, books by weight and do authors get some compensation for unsold?

Booksbyweight appears to be simply a used bookstore with a bulk pricing model. In the paper world the economic model for books is that the publisher sells copies. The copy then belongs to the per...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How many subjects in the same story is "too many"? And is it too bad?

You can have as many subjects as you like; you can only have one story arc. Or, at least, you can only have one story arc per character. Do all of these aspects of the protagonist's life contribute...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Is alliteration distracting and not very valuable/interesting for the reader?

I definitely noticed the alliterations. They stood out, and were frankly jarring. If you were writing poetry, or prose which is echoing poetry, I'd tell you to go for it, but if your point is to te...

posted 8y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A How to present details about the setting in a fantasy world without telling?

The people in your story might not know anything about Earth, but your readers do. You can show lighter gravity by describing things that couldn't happen on Earth -- a person out for a jog boundin...

posted 8y ago by Monica Cellio‭  ·  last activity 5y ago by System‭

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Q&A Dynamic characterization: How do you show development/change in an inherently flawed character, like a psychopath?

Robert McKee maintains that people don't change, and that a story arc is not about them changing, but about showing how far they will go. A story arc, per McKee, consists of a character with a desi...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How can I raise the stakes and make a character's decision compelling?

As you rightly perceive, this is about sacrifice. It is about loss. It is about how much the character is willing to bleed for this. The implication of this is that much of the story has to be ded...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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