Posts by Chris Sunami
It's perfectly fine to leave details up to the reader's imagination. But those comparisons are neither doing work for you nor for the reader. They have the look and feel of descriptions, but they ...
Writing can be a very difficult, frustrating, stressful and effortful process. It can also be very isolating to the writer. Given that writing is a form of communication, what is the point of writi...
I'm largely not a discovery writer myself, but many --perhaps most --of my favorite authors are discovery writers. It seems like discovery writers almost universally struggle with endings --for obv...
As I mentioned in my other recent question, my novel in progress has three main locations. I feel those three settings are strong, fully imagined places, with interesting storylines. However, the...
The initial problem was that writers (mostly, we assume, male) were writing female characters that were thinly imagined, stereotypical, and largely there only to reflect glory at the male protagoni...
As a long-time blogger, I can say from experience: It's much harder to get any traction with an audience if you don't have a specific topic or theme. But it depends on what your goals for the blog...
If you are not primarily an "exploration writer" (or even if you are), there is a lot of advance work that can make your first draft better. This includes worldbuilding --coming up with rich and e...
It's worth noting that "Choose Your Own Adventure" is a specific brand of children's novelty "gamebooks," and that nearly all books written in this format are released under that brand. It's not -...
You have made a common mistake about world-building: believing that it all has to go on the page. World-building is for you, the author, to help you craft a story in a setting that feels real and ...
It depends on what your goal is --an open letter can have many different audiences, and the putative addressee may not be the actual target. With that said, the best structure for a persuasive argu...
Don't introduce them all at once --that's not a story, that's a cast list. Bring them in one at a time, or in small groups, when needed by the storyline, and describe them in ways that illuminate ...
I've always struggled with sensory details in my writing --I'm a dialog-and-plot kind of writer. But for me, writing details really came alive when I discovered your number three approach. When d...
This is not a problem, this is an opportunity. Great stories are written about insoluble moral conflicts. The fact that you've created one that you --and the reader --can't immediately and easily r...
The kinds of criticisms you are encountering are not aimed against the concept of the hero having a love interest. They are aimed against female characters that that exist only as a motivation for ...
Sometimes you'll see authors avoid constantly repeating character names by replacing them with descriptors. For instance (assume that all three descriptors are referring to John, the tall man who ...
I'm working on a novel that will have at least three distinct sections in three distinct locations (the two main characters start in the first location, travel through the second location, and one ...
For many years --decades actually --my goal with every piece of writing I wrote was that it be read and appreciated by someone. There were plenty of things I wrote that didn't achieve that goal, an...
Realism is just a style --you're trying to give readers the feel and the flavor of this character, not give them an exact transcription of what his actual thoughts would be. That gives you several...
Current practice for attention-calling literary elements --I'm thinking primarily here of things like accents and dialects --is to start out with enough to give the flavor, and then to assume that ...
I've seen this done several different ways. Chorus in bold (typical in printed lyrics to be sung from if everyone, including the lead, sings that part together) It was in nineteen hundred an...
The superficial problem is whether the readers will care about this character, but the deeper problem is YOU don't care about him. You even describe him as "it" --there's no emotional investment h...
Readers typically prefer active characters, because one of the reasons we read is to learn, and one of the ways we learn is by seeing the decisions that characters make, and their consequences, dra...
All writing in print is (technically) telling. You can "show" in a movie or a play, but everything you're doing in a book is telling, if you want to get technical about it. A lot of times it is b...
Your girlfriend is correct that the bad guy winning at the end limits your audience, and will anger some readers. But it's important that you write your own book, not the book you think you should ...
Most people don't constantly think about their own appearance, which can make first person appearance describing a little awkward. But there are some legitimate times we do think a lot about how w...
