Posts by Mark Baker
First and foremost, it an an analytic category. This means it is a category that is used to do literary analysis of existing texts to group different texts according to common features. There are a...
Many people have a personal animus against particular words. "Very" is a very common target. (See what I did there?) Certain words just seem inadequate to their task, flabby, somehow, or inapt. I...
How does that travel change your characters? The iron law is that every scene should leave your characters in a different state from when they began, or, at very least, leave the reader with a diff...
Metaphors must be apt. They must make the reader's experience of the scene they are reading more vivid. The problem with many metaphors, particularly those created by inexperienced writers, and mos...
Foreshadowing. Basically, anything you do, any coincidence, and personality quirk, that you introduce in order to move the plot in the direction you want it to go will appear as transparent manipul...
As it stands now, your question seems to boil down to: how can I write a story that no one will criticize? The answer to that is, don't publish it. If you publish it, with any degree of success, so...
In a month or two I will have a book out on how to do things like this (Structured Writing: Rhetoric and Process, from XML Press). The big question is, what are you going to use to do the selecti...
It all depends on the moral structure of the story. At the heart of every story is a choice about values. (With great power comes great responsibility, etc.) The more conventional structure would...
Two thoughts. Literature is not about the character's emotions. It is about the reader's emotions. In real life, every single TV cop and mystery series detective would be invalided out with PTSD ...
Bollocks. (That's a technical term.) The semicolon is the correct punctuation for a particular kind of sentence structure. So on the face of it, if you want to outlaw something, it should be that s...
"Use the present tenses when discussing events in literary works" I don't know where you got this from, but it is not true. The default for stories is to tell them in the past tense, or to be more ...
There is no universal convention for this, and thus no "proper" way to do it. But I would question is editing an existing blog post is the right way to do this at all. A blog is a "web log". That i...
I don't think I seen a closeup on a document in any movie made since the 40s. It simply isn't done that way. The way it is done if for the character to be handed the document, open it, and immediat...
You never want to slow down the pace of a story. Pace is everything. But pace is not about rushing to the exits. A pace is a comfortable speed at which to see all the scenery and experience everyth...
You use the past tense to report past things and the present tense to report present tense. Death turns a number of present facts about a person into past facts. "John is Chair of the Board" beco...
A useful way to think about this is to recognize that all stories are experiences, not propositions. A philosophy is a proposition, so it is not the matter of stories. But living with the consequ...
You need to make a very clear distinction between imaginary history and story. It seems to be quite common for aspiring writers to construct elaborate imaginary histories and then struggle to write...
That first story is long lost in the mists of time. Indeed, it could reasonably argued that it is the first and universal story. In a very real sense, this is the story written in the human heart, ...
How a time change is indicated in the finished film is up to the director. You just need to indicate to the director that the time has changed, not specify how this is shown.
Algorithms cannot detect plagiarism. They can detect a similarity between two text which might or might not be a sign of plagiarism. Plagiarism is passing someone else's work off as your own. You c...
You have to make a distinction between plagiarism and familiar ground. Writers cover familiar ground all the time. Boy meets girl. Boy loses girl. Boy gets girl back. It is familiar ground. It is n...
I think this is a false dichotomy. Art is a form of communication. It fails if it does not communicate. We hear a lot of talk about "expressing yourself" but that is hollow unless you are expressin...
Consider the mania around spoilers. Why do we demand that people discussing books and TV shows online warn us if their posts are going to contain any information about how the story ends. Here's ...
As is the case with any scene intended to evoke strong emotion from the reader, 90% of the effect is achieved via the setup. If the reader is going to scream "please don't", it will not be because ...
Plot is the servant of character. One of the most common mistakes of beginning writers seems to be to start by inventing a plot -- essentially an imaginary history -- and then peopling it with char...
