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Posts by Mark Baker‭

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Q&A Can I use "fuck" as a non-vulgar verb in a fantasy/steampunk world?

The sexual act can be tender or it can be violent. Its violent aspects can be consensual or non consensual. There are many different words for it, reflecting each of these connotations. F*** is one...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Should I follow my instinct or public demand when writing a story?

I think this is a false dichotomy. To be sure, there are many reasons to write. You may be writing only for your own amusement or catharsis, in which case merely getting your thoughts down on pap...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Chapters - Writing Order

You may or may not be able to pull this off, but this is the danger you face: You may end up writing scenes that you fall in love with as scenes but which do not fit the arc of your story. Robert ...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Runbook template example?

In the end, every technical document should contain whatever information the users need to get their jobs done. This takes precedence over any template or convention. To the extent that there are...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Will what worked 'back then' work today? (Novels)

The vast majority of the fiction produced in any age is of the type that would generally be called pulp or potboiler. It is simple non-challenging stuff meant to occupy a vacant hour for an reader ...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Section of a book that explains things

You are telling a story, not writing a manual. Everything goes in the story. The order in which it occurs in the story is the order in which it matters to the story. There are two ways to introduc...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A A written action scene, interrupted?

I think this very much depends on the narrative tone and style that have been used up to this point. If this is the first time you have done such a digression in what has otherwise been a straightf...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Translating from mind to paper

Other answers assume that the problem you are having is inertia, and perhaps they are right. Perhaps you just need to start writing and keep writing. But perhaps inertia is not the problem. Perha...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How can one not let their voice show through in all the characters?

There are two places a novelist may find a character: inside of themselves and out in the world. The desire to write may come from many places: sometimes from a desire to "express oneself", sometim...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Tips for continuing plot when the spearhead character is not the protagonist?

Every protagonist wants something and is struggling to get it. Every plot point in a story consists of the protagonist's attempt to get the thing they desire and the things that frustrate that desi...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How to write a utopia?

Well, a true utopia would have no room for story. Story runs on desire and frustration and the moral challenges that result from the frustration of desire. A true utopia would leave no desire frust...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Can Originality Sell a Book?

Harry Potter was not original. Anyone who grew up reading English Children's books would recognize that it is a pastiche of virtually the whole canon of 20th century English Kid Lit, in which train...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Folktale within a folktale

The classic example would be The Arabian Nighs (AKA One Thousand and One Nights) (https://en.wikipedia.org/wiki/One_Thousand_and_One_Nights) in which Scheherazade tells her husband an new story eac...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Antagonist that remains unknown

Not every novel has an antagonist. Basic story structure is about desire and the things that frustrate desire. The thing that frustrates desire does not have to be a person -- an antagonist. In man...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Writing guides for writing like the Oxbridge tradition?

By purest serendipity I came across a reference to a book on writing in the classic style just yesterday. http://classicprose.com/. I have not read it myself, but it was recommended by an acquainta...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A A villain that doesn't even know the hero's existence?

Certainly a story can have this structure. But your analysis of it seems to assume that the antagonist is a role equal to that of the protagonist in story structure, and that is not the case. Story...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A freelance writing: how much of a test for a job would be considered actual work done for free?

Freelance writing, as a career, is enormously oversubscribed. At the bottom of the market there are far too many writers chasing far too little work, and therefore prices are rock bottom and market...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Why are audio books more expensive than a movie ticket?

Prices are set based on supply and demand. Cost of production has nothing to do with it, except to determine whether a product is worth producing.

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How can I Switch Protagonists Between Books?

In the classic model of a story, the protagonist pursues their desire to the limits of their endurance, concluding in some profound change or revelation (depending on whether you think people can c...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How much falling action can follow the climax?

The climax of the action of a story is not necessarily (or even usually) the climax of the moral arc of the story. The climax of the action is the crucible in which the hero is tested and purified....

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How can I determine the public opinion of an author?

There is no universal public opinion of any author. People read of pleasure and for edification. There are various pleasure you can get from reading, and various forms of edification. Some hold tha...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Will I ever be able to write like a native writer?

Joseph Conrad was one of the greatest novelists ever to write in the English language. He was born in Poland and did not become fluent in English until his twenties. It can be done. But writing a...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How to determine whether or not a plot twist is needed?

Plots twist. Stories don't. Sometimes a plot twist will show that reader that the arc of the story was something other than what they were expecting. But the story still needs to have a satisfying ...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How to describe an angry voice in dialogue?

The best way to give the reader the sense the the character speaking is angry is through the words they say, not through the description of how they say it. Make the word angry and you don't need t...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A How much outlining is needed?

What is needed is a definite story shape. Stories are not merely a sequence of incidents. There is a definite progression. The protagonist has a desire. That desire is frustrated. The protagonist a...

posted 8y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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