Posts by Mark Baker
What you have done so far is to create a history. A history is fine, but it is not a story. A story is a drama and dramas have a specific shape. You can think of a drama as being built around a cho...
The human perceptual system runs on anticipation. We understand things that play out in predictable and foreseen ways. We are disoriented by things that happen suddenly, violently, and out of the b...
Stories create experiences. Stories that are heavy on setting create an experience of that setting. People sometimes simply receive an experience for what it is. We are experience junkies. Stories ...
Your subtext2 is what is generally called foreshadowing. That is, it hints at something important that is yet to be revealed: the clouds on the horizon that hint at rain. It is not really a form of...
On the old typewriters, there was no ! key. To create an exclamation mark you had to type a single quote, backspace, and type a period. That was a good system. Exclamation marks should be hard to t...
I suspect that most reader expect the narrator is not going to die. But you should not look on the device of the involved narrator as requiring the maintenance of strict logic about when the story ...
It is the lure of the fine phrase. We all want to create fine phrases, phrases that are a thing of beauty in their own right. But the lure of the fine phrase can often lead us into the verbose and ...
This seems to be an increasingly common problem and my belief is that it results from the writer consciously or unconsciously seeing the movie in his head and trying to transfer it to the page. Thu...
I think the heart of your difficulty is that you are equating light hearted with not serious ("fluff"). Your intuition that it is easier to write dark than light is correct, at least in the sense t...
The great privilege of the novelist is that you can choose what sources of interest you create in your novel. Novels today tend to be dialogue heavy, partly in response to "Show don't Tell" and par...
You can use the right word repeatedly in the course of several sentences as long as it is the right word in each case. There was a writing school fashion a while back for using as much vocabulary a...
I question whether a publisher is going to produce a book using a custom font. The complications of making sure such a book was formatted correctly on all possible digital devices don't seem worth ...
This is the third question today that I am going to answer with essentially the same point, but stories are fundamentally about a choice of values. To establish the grounds for a story, you must fi...
There are two reasons for a reader to read something, because they are interested in the subject matter and because they like how it is written. The risk of using humor in business or technical w...
A drama is fundamentally about values and about a choice between values that reveals who the protagonist is in their heart of hearts. The first question that a story has to answer, therefore, is on...
You should always be mindful of why a reader is reading your book. People are reading for a reason. In the case of fiction, they are reading for pleasure. People may take pleasure in reading about ...
The reader needs to be able to see the scene in their mind's eye. This does not mean that every reader needs to see it the same way. In fact, it is a virtual certainty that each reader will see it ...
The first principle of highlighting anything in any work of art is contrast. If you want a white dot to stand out, you put it on a black wall. If you want a high note to stand out, contrast it with...
Yes you can. In fact, people do so all the time. I am Canadian. I have published one book with a European publisher, one with an American publisher, and have another coming out from an American pub...
While words with multiple syllables do have an internal stress patterns, stress is more a matter of the role a word plays in a sentence. Often a writer who is sensitive to this will recast a senten...
What distinguishes YouTube is not the number of contributors, though that is huge, and essential to its success, but the number of viewers, which is extraordinarily large. What makes a content pla...
This is absolutely a problem with critique groups. On of the fundamental facts for 90% of critique groups is that your critique partners are not your natural readership. Most of the critiques I giv...
I think this is what separates the pros from the amateurs and the unpublished from the published. Writing is hard. Getting it right can take a huge amount of work and many writers report being roya...
Going to writing conferences will increase you chances that a literary agent will read your manuscript, compared to the chances if you simply submit over the transom. It will not make it a more pub...
Fix it now vs fix it later is a perennial question in writing. Often the answers given are absolutist one way or the other, or come down to "whatever works for you". But I would suggest a different...