Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »

Posts by Mark Baker‭

1.1k posts
77%
+5 −0
Q&A Questionable Promotions!

Pondering this, I wonder what the point is of improving questions/answers that no one is reading. Is writing new answers to those questions going to make then suddenly start turning up in searches?...

posted 4y ago by Mark Baker‭

Answer
81%
+7 −0
Meta Email subscription

This place is not exactly lively yet. That is not a surprise. But one quickly loses interest in visiting just to find nothing new day after day. Pretty soon you don't come back at all. What would...

3 answers  ·  posted 4y ago by Mark Baker‭  ·  edited 4y ago by ArtOfCode‭

60%
+1 −0
Q&A Can a fight scene, component-wise, be too complex and complicated?

In any scene, you need to look at what story values are at stake. Narrative is interesting insofar as it develops or changes story values. It is boring insofar is it does not. Technical description...

posted 4y ago by Mark Baker‭

Answer
60%
+1 −0
Q&A How to balance the agendas of co protagonists that periodically conflict?

I don't think you do keep them balanced. Or, at least, I don't think you should. If their goals are incompatible, the reader has to choose whose goals they are going to root for. And at the end, on...

posted 4y ago by Mark Baker‭

Answer
83%
+8 −0
Q&A Good exposition examples

Exposition is a problem for movies, because movies, generally, do not have a narrator. The audience sits and watches events unfold. But if the story needs the viewer to be aware of events that woul...

posted 4y ago by Mark Baker‭  ·  edited 4y ago by Mark Baker‭

Answer
71%
+3 −0
Q&A How can I make names more distinctive without making them longer?

The problem with your names is not that they fail to be distinct, but that they fail to be sticky. The stickiness of a name is a measure of how easily the brain can retain it and assign it to an ob...

posted 4y ago by Mark Baker‭  ·  edited 4y ago by Mark Baker‭

Answer
80%
+6 −0
Q&A How do I distinguish between self-doubt and objective recognition of fault?

Some of the stuff you write is going to suck. Some of it is going to be without substance or inconsistent or just dull. And some of it is going to be brilliant in conception but dreadful in executi...

posted 4y ago by Mark Baker‭

Answer
66%
+2 −0
Q&A In a dialogue, how can I hint that the characters aren't telling the whole truth?

The way you do this effectively is through dramatic irony, which is where the reader knows something that the protagonist does not know. There is a fantastic scene in Upstairs Downstairs where one ...

posted 4y ago by Mark Baker‭

Answer
71%
+3 −0
Q&A Writing slurred speech

Dr. Johnson is supposed to have said that you cannot reproduce the effects of dullness and garrulity without actually being dull and garrulous. Being slightly less 18th century (I'm more of a Victo...

posted 4y ago by Mark Baker‭  ·  edited 4y ago by Mark Baker‭

Answer
77%
+5 −0
Q&A Why does the second act 'reaction' and then 'action' need to be drawn out?

I'm all one for structure, and awareness of structure, but some of these paint by number descriptions of the three act structure strike me as going a bit far. Just as you say, one gets stuck trying...

posted 4y ago by Mark Baker‭  ·  edited 4y ago by Mark Baker‭

Answer
83%
+8 −0
Meta Reclaiming you content if you no longer have an SE account

It's not the end of the world if this is not possible, but I would like to reclaim my content. The problem is, I no longer have an SE account of any kind. I asked them to delete my main account bec...

1 answer  ·  posted 4y ago by Mark Baker‭  ·  last activity 4y ago by ArtOfCode‭

Question imported-posts
66%
+4 −1
Q&A A Code of Conduct, dare I say it

I just heard about this place (thanks icanfathom). Willing to give it a try. Of course, the first thing I checked on was the code of conduct and, no surprise at all, the only item of contention in ...

posted 4y ago by Mark Baker‭

Answer
66%
+2 −0
Q&A How can I make it so that my story isn't resolved so easily?

Your story is resolved too easily because no one pays a price for the ending. People face all kinds of practical problems every day and they resolve them in practical ways without much drama. Stori...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
60%
+1 −0
Q&A Do we simplify descriptions when they sound weird?

If you are going to refer back to something that a character used earlier in the story, give it some significant characteristic that will help the reader identify it when it comes up again later. T...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
50%
+0 −0
Q&A How do you write short-short nonfiction?

You can most certainly write a nonfiction of 80 words, but, as Galastel says, it won't be an essay. An essay is an argument. It martials evidence in support of a point of contention. You can't do t...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
60%
+1 −0
Q&A How can I make "acts of patience" exciting?

I had to think about this one for quite a while, but finally I realized that there are two distinct kinds of patience, which I will call anticipatory patience and enduring patience. Anticipatory ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
50%
+0 −0
Q&A Can you pitch an outline?

If you are a bestselling novelist, you can pitch an outline. Otherwise, you have to have a finished manuscript. Nonfiction is different. You pitch a book proposal, which usually includes sample ch...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
75%
+4 −0
Q&A Describing the taste of food

Is this bad writing? Yes. A great description should be precise and evocative. Food neither runs wild not explodes (both would have unpleasant consequences for the eater). They are just the wrong w...

posted 4y ago by Mark Baker‭  ·  edited 4y ago by Mark Baker‭

Answer
60%
+1 −0
Q&A Is anything like the propulsion systems (warp/impulse drives) copyrighted from being use in other sci-fi novels?

Yes, it can be confusing. The basics are simple, through commonly misunderstood, but there are grey area along the borders. The first and most basic rule of copyright is that you cannot copyright...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
60%
+1 −0
Q&A What are the rules for punctuating a conversation?

With all due respect to Lauren's answer, there is a fourth rule. 4) Speech that is incidental to action stays with the paragraph that describes the action. That is, if the character runs, jumps, y...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
60%
+1 −0
Q&A Maintaining distance

Interesting question! Here's what occurs to me as the first principle of distance: From a distance, you can't see the small stuff. At a distance you can see fear of dragons, but you can't see fear...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
50%
+0 −0
Q&A I feel like that misinformation feels too artificial as a plot-driving force in my story, how can it be more natural?

Panics have deep roots. They don't come out of the blue. They arise out of our need to make sense of our lives, to find patterns in randomness. Pattern finding is how our brains work, and it serves...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
66%
+2 −0
Q&A Is it the right call to title my romance a 'legend'?

Distance is an important element of the design of a story. In some cases you want the story to feel very intimate, as if the reader is right there with the protagonist, in their thoughts, in their ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
60%
+1 −0
Q&A How do you show, through your narration, a hard and uncaring world?

There are two roads from Santa Fe to Taos, New Mexico. One runs through the gorge of the Colorado river. The other runs over the mountains through pine forests. The one through the pine forests is ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
50%
+0 −0
Q&A Parenthesis Types in Fiction

Comma, dash, and brackets are not simply different degrees of parenthesis, they are different types of parenthesis. Comma parentheses denote modification or clarification of the main point. ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer