Comments on How to balance the agendas of co protagonists that periodically conflict?
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How to balance the agendas of co protagonists that periodically conflict?
While not mutually exclusive, the goals of my co protagonists do conflict and I need to keep them balanced.
MC1 works for the CIA and is being burned. He needs help from someone so he can find out if the burn is sanctioned or just some desk man who dislikes him.
MC2 needs to know who the mole is in her organization and needs help. She captured MC1 and decides to use him to determine who among her people can be trusted and who was complicit in the assassination committed by MC1.
Each will need the other but MC2 won’t want MC1 distracted by thoughts of who betrayed him - solve her problem and maybe they can work on his.
How best to keep these occasionally polarizing aims balanced without creating reader whiplash?
There's a third issue that affects both of them, something so serious that both of them need to set aside their own agen …
5y ago
I don't think you do keep them balanced. Or, at least, I don't think you should. If their goals are incompatible, the re …
5y ago
> How best to keep these occasionally polarizing aims balanced without creating reader whiplash? This is character conf …
5y ago
Hide their goals. You are writing about professionals. They would be less than amateurs in their line of business if th …
5y ago
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I don't think you do keep them balanced. Or, at least, I don't think you should. If their goals are incompatible, the reader has to choose whose goals they are going to root for. And at the end, one is going to achieve more of their goals than the other. So you are not going to achieve balance in the end.
Nor do you want to maintain balance until the end. You want the balance to swing from one to the other, but overall you want to balance to swing wildly against the principle character until close to the end when it wildly swings back the other way. That is just the shape of story. Always darkest before the dawn, etc.
What I think you are looking for is what we might call secondary sympathy. You want the reader to feel sympathy for the person who comes in second. And that is fine, that does not require balance, that just requires that that person and their goals be made sympathetic, even if less sympathetic than the person and goals of the principle character.
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