Methods for creating slang
I am interested in creating slang or a vernacular for a particular group in my story. I want it to be distinctive and a definite marker for in-group/out-group, but not incomprehensible. I'm not looking for industry jargon, and it's not extensive enough to be a dialect.
For example, Cockney rhyming slang: You start with a word like "phone," rhyme it with a phrase like "dog and bone," and then drop the word which actually rhymes, so the slang for "phone" is "dog." (I find this insanely complicated and I have no idea how it functions in real life other than to memorize a laundry list of slang terms.)
So what would be some techniques for me as the author to use to develop a slang vocabulary for my in-group? I may or may not have the method explained to a cabbagehead character.
(Slang of this type is also known as argot, patois, or cant, as in theives' cant.)
I think the answer has to come from who your characters are, and why they are using slang. Essentially slang is an in-gr …
9y ago
I would say simply pick a really specific way to change the language, and then change it that way consistently. Like wi …
9y ago
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I would say simply pick a really specific way to change the language, and then change it that way consistently.
Like with your example, it uses words that rhyme with the word they mean in English, in order to essentially create a new language.
Pig Latin takes the first part of a word in English, puts it at the end and adds "-ay" as a suffix.
So I would take a language, which could be English, and modify it in order to create a new one. As long is it's consistent, it should be decipherable.
It's essentially a form of verbal encryption when you think about it. With Pig Latin, you have the the word (for example "amscray"), and then the key to decode it (take the "-ay" off the end, then put the last part as the first part), and you have the word "scram".
So think of a specific "key" in order for the characters to be able to decipher each others language, let's say taking the important words and adding the word "in" in the middle, and swapping the beginning and end.
Then your characters can say "Is the pon-in-wea den-in-hi inside the uck-in-tru?" Which would translate to "Is the weapon hidden inside the truck?"
To expand my answer, it could be a good jumping off point for having an 'in' language. Eventually, common words will just be changed for some reason or other.
For example, using the rule for changing words that I said, eventually someone might create a new weapon and call it a 'ponin', a shortened version of 'pon-in-wea'.
People will only ever create their own language to serve a purpose. Whether that purpose is to befuddle outsiders, to distinguish members of their group or simply to make things easier, such as getting rid of superfluous words in sentences (think of words like 'don't' as a shortened version of 'do not'), the equation is the same.
Purpose + time = new dialect.
People come up with new words all the time for some reason or other, whether or not they catch on is part of the time portion of the equation. Like you say you want people to identify the in-crowd by the language they use, every single generation of teenagers goes through this exact same ritual.
Kids now apparently (in the UK) describe someone old and creepy as 'a bit UKIP', which is taken directly from the current cultural background, and possibly a misunderstanding of adult things.
So whichever rule you use, you need to think about the time element, and whether the words would realistically catch on. As for where they come from, take anything that people are aware of at the time of its creation and use it for your own ends.
As a footnote, another good example I like is 'Devil's Advocate', which originated from the Catholic Church as a person who argued against the side of God, and took a skeptical view of someone when discussions were ongoing about appointing them as a saint. This has now pervaded into popular culture and is a term commonly used by most.
This post was sourced from https://writers.stackexchange.com/a/17273. It is licensed under CC BY-SA 3.0.
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I think the answer has to come from who your characters are, and why they are using slang. Essentially slang is an in-group word-game. It's a way of distinguishing insiders from outsiders. It can also be a low-key form of resistance to authority.
So it depends on your group. Techie slang is filled with acronyms and shortenings. It's a way of showing off your familiarity with arcane knowledge. On the other hand, teen slang is designed to annoy adults, has an anti-authority slant, and is often filled with arbitrary words that need to be memorized rather than figured out. Many years ago, in Kenya, I learned a version of the local slang that was filled with a playfully corrupt mix of English and Swahili. It was the anti-traditionalist language of young global citizens, and it was equally an affront to both formal, school-learned English and to the native languages of the villages (and their older inhabitants).
Slang can be crude or elegant, witty or offensive, rule based or arbitrary. It's all about the group that uses it.
This post was sourced from https://writers.stackexchange.com/a/17327. It is licensed under CC BY-SA 3.0.
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