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At a writer's critique group, one piece of feedback to me was: people didn't understand where I was going until the very end. They suggested stating something explicit at the very beginning so the...
#3: Attribution notice added
Source: https://writers.stackexchange.com/q/30335 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
At a writer's critique group, one piece of feedback to me was: people didn't understand where I was going until the very end. They suggested stating something explicit at the very beginning so they knew what it was I was trying to convey. My thought at the time was agreement "Yeah, we can all use having things spelled out for us - we're all tired and overworked." Later I was thinking about the idea that when you write, try to move the story without hitting people over the head with it. This is sort of 'show, don't tell'. My preferred way of showing, not telling is to bring to mind Hemingway's advice: the written words are the visible portion of the iceberg, and the way those move tells the reader what is happening beneath the surface, which is most of the story. Unwritten but implied and understood. Don't underestimate your audience. How does one balance these two ideas? How does one 'state explicitly' as the group suggested to me, without hitting the reader over the head?