Posts tagged technique
I have a problem where I often proof my own writing and I don't catch all the errors while I am reading through it. I often miss entire words out of sentences or find myself repeating words. I can ...
Over on the Judaism site, I summarized a narrative text in a block quotation. Because the narrative is well-known, I expected many people to skip the block quotation; therefore, I did not want it t...
"A garden path sentence is a grammatically correct sentence that starts in such a way that a reader's most likely interpretation will be incorrect; the reader is lured into a parse that turns out t...
Even though discovery writing is about letting the story go without interference, you still don't want the characters to get killed in the first chapter. For this exists safety nets, people, objec...
I have enjoyed writing prose for years and have a few short stories penned. I would like to build up to a novel but believe I have identified a potential weakness in my storytelling. My style is g...
Following up on my previous question, "How to make the villain's motives understandable if his logic is flawed?", how can I let the reader know that the lack of logic is on the character's side, in...
I wonder, what could be a good way to provide time measures in a fantasy universe. I don't mean the calendar which is covered in the question: Out of this world... Giving it time?, but measures lik...
Two characters (one is a PoV character) come up with a plan to break a third out of prison. They succeed, with only minor complications. If I describe too many details of their plan beforehand, it ...
In a story I'm working on, at one point one of the main characters (also the POV character in this case) arrives at a new location which he has never been in before. This is the first mention of th...
In one chapter, the PoV character meets up with her sister. Her sister is supposed to be fairly stuck-up and thinks she's a complete lowlife, so she talks down to her the whole time. I have the Po...
In one scene, I have a conversation between three characters: A, B and C. A's son and B are involved in something illegal. C isn't aware, and since A and B aren't entirely sure she can be trusted, ...
This question was asked elsewhere by geneaux and is copied here in accordance with the CC BY-SA 4.0 license there. Right before the climax of my SciFi novel, there's a big reveal about who the b...
I was able to gain some insight already thanks to How much detail is too much?, but I still need a more precise answer, because my details aren't bound to a particular scene. I was searching for s...
A story I am currently working on contains a scene where a figure with a certain character quite unexpectedly has a change of heart, and I am having difficulty finding a way of smoothing the transi...
A significant antagonist in my trilogy is an omnicidal alien by the name of Loki, whose characterisation borrows from Griffith, Keizer Ghidorah, Randall Flagg, Saruman and Hastur. Throughout the se...
Always Chaotic Evil denotes an entire species in a fictional setting as outright evil - no matter how one treats them, they reward kindness with treachery and violence. Frequent recipients of this ...
A personal point of view on the necessity of a new culture in fiction "A long time ago, in a galaxy far far away", "Pandora", "Dune", "Middle Earth". All quite different worlds compared to ours, b...
How can I minimise the "filler" text that I end up writing when fleshing out a scene with detail? An appropriate level of detail seems to me to be a fundamental requirement for good prose. Whateve...
In the novel I'm trying to write, I probably will have to introduce a second point of view because my initial main protagonist will be mostly unable to act after some point. Now I'm considering to ...
Maybe this is all in my head, but it seems that novel writing for a lot of genres has become mainstreamed to the point of formula. We have articles, podcasts, and books telling us how to: Create ...
In the Bible, the apple is a symbol for knowledge, immortality, temptation, the fall of man and sin. The book itself gave the apple a symbolic meaning. How can you as an author give an object like ...
Kurt Vonnegut has 8 tips on how to write a good story Use the time of a total stranger in such a way that he or she will not feel the time was wasted. Give the reader at least one character he or...
I was reading some questions and answers on this site about writing for video games, when I stumbled upon this answer that mentions some things I am not familiar with. In an ideal world, there wo...
I wrote a piece of flash fiction as a mental exercise. I happened to listen to Glen Miller’s “Moonlight Serenade,” and happened to watch an episode of “Samurai Jack.” “Moonlight Serenade” is a so...
Some of my characters have little to no education, and I'm looking for ways to show that through their dialogue. (They're uneducated, but not necessarily stupid.) Here's what I've tried so far: ...
Context: I'm among a growing number of people who are becoming dissatisfied with Stack Exchange. In some ways (not all, but some), Stack Exchange's behaviour is analogous to "curation without rep...
Part of the character arc for my main character from Can I conceal an antihero's insanity - and should I? is that she is a sociopath, prepared to do things that normal people would not. Part of he...
It is generally taken that if I tell you a joke, then have it explain why it's funny - it's not probably not funny. I continually return to one of my own short pieces. If I submit it I believe it ...
Suppose then you have an story in your mind. Then, to write down this finite series of events, you have to translate your imagination into the paper. This process isn't trivial, of course and plot ...
One of my bugbears about writing is the editing process. I'd much rather get it right first time, rather than chop this and change that afterwards. Other industries would not tolerate the rather c...
About 1/3 of the way through my story the main antagonist "wins" and is able to completely remake the world of the story into his notion of an ideal world. The "new" world shares some elements wit...
One of my characters gets drunk and accidentally kills another. He has a couple of lines where he needs to sound obnoxiously, falling-down drunk. Is there a good way to accomplish this? What sound...
When answering questions on Stack Exchange, some of us challenge the assumptions of the author. These frame challenges can often be quite popular answers. This popularity, however, can simply be a ...
Real Women Don’t Wear Dresses is when writers portray female characters possessing traditional feminine qualities as being less desirable, competent and reliable instead of their tomboy foils. They...
A story of mine has the following sentence: Alyssa was possessed by a sudden, fierce urge to snatch the teacup out of her sister's hand and dump the contents into her perfectly arranged hai...
English is a language invented by humans, for humans. Which means some words don't fit well when you're writing about characters who aren't human. For example: Suppose I write "The demon tiptoed a...
Can we change the meaning of a well established symbol and use the newly defined symbol in our writing? If so how do we go about doing so? It am not talking about using a symbol in the context of ...
My attempt at the current writing challenge features a flock of sparrows. Since the actual "dialogue" between two sparrows would sound like a bunch of cheeping, I need another way to show what the...
I mean exactly this. Writing needs focus, to some extent. Even if you may fall into a state were words flow naturally on the keyboard almost without effort, you still have to reach that condition....
So, I'm writing a novel where MC believes he is influenced in some way by an entity he calls Common Sense. He suspects (yet that is weaker than belief) that he is Common Sense's hand in this world,...
In an omniscient third person, I have 8 (practically unrelated) events going simultaneously in different parts of a large mansion. I want to present these events as they happen, but I feel jumping ...
In my fantasy novels, I don't want to kill anyone off, I just want to get them injured, like badly. I made up numerous believable excuses for this (low-violence, a genuine will to live on the enemi...
A while ago, I started writing a short story for a competition. It was supposed to be about four girls in a shared student apartment. The plan was to have everyone conflict with everyone until they...
At a writer's critique group, one piece of feedback to me was: people didn't understand where I was going until the very end. They suggested stating something explicit at the very beginning so the...
TL;DR: How much time and development is necessary for a character I intend to kill off and replace with a second character so that both feel important to the narrative? I've looked over this a bit...
For some time now, the matter of classical versus modern writing has weighed heavily in the discussion of my mind-congress. Here is my thought: given the sheer reverence that is given to classical ...
A series I am working on deals with an underlying storyline that progresses through each book. I'm afraid of confusing a reader if they decide to start reading a book somewhere in the middle of the...
I've come across some answers and questions on this site which have gotten me thinking about re-readability. It isn't something that I think about much, but now that I consider it, I think it could...
I am working on a story in which the characters must solve a mystery. It's a "team-building exercise" at school, in which they must work together. They are graded on how well they work together and...
Background In a huge amount of the books I read the author has coined a little term to help them describe something, or an onomatopoeia. Like: Kindish (adding -ish to the end of a existing word)...
