Using slang as a narrator - pros and cons
Is it advisable to use slang and euphemisms as a narrator, in addition to the main characters who use it? Are there arguments for and against it?
For example, if I were to write about street thugs and their exploits, would using slang in the narration bring the reader closer to the characters? Or would it be considered inappropriate and distracting?
Agreed that it all depends on who the narrator's supposed to be, and, frankly, what tone you're trying to bring across t …
14y ago
Who is the narrator? Was he a street thug? If he was, then it wouldn't make much sense to have him narrating using the Q …
14y ago
Using dialect or slang can work very well, but it usually doesn't. (Mark Twain is the only example I can think of where …
14y ago
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Using dialect or slang can work very well, but it usually doesn't. (Mark Twain is the only example I can think of where it was done well.) Slang is another matter, with some of the same pitfalls. Having characters using slang and the narrator not, that might be distracting. I'd suggest writing a chapter or three, putting them aside for a bit, then reading them to see how it worked.
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Who is the narrator? Was he a street thug? If he was, then it wouldn't make much sense to have him narrating using the Queen's English. The narrator should talk in their voice, not yours.
Don't distract from the story though. As in don't spell words in weird ways or go overboard with things the reader might not understand without referring to urbandictionary.com. That would distract the reader from the main points of the story.
Use just enough to setup the character, then pull back so we can understand what you're talking about.
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Agreed that it all depends on who the narrator's supposed to be, and, frankly, what tone you're trying to bring across to the reader.
Two of my favorite opening paragraphs of all time:
When age fell upon the world, and wonder went out of the minds of men; when grey cities reared to smoky skies tall towers grim and ugly, in whose shadow none might dream of the sun or of Spring's flowering meads; when learning stripped the Earth of her mantle of beauty and poets sang no more of twisted phantoms seen with bleared and inward looking eyes; when these things had come to pass, and childish hopes had gone forever, there was a man who traveled out of life on a quest into spaces whither the world's dreams had fled.
H.P. Lovecraft, "Azathoth"
Contrast with... this:
Tyler gets me a job as a waiter, after that Tyler's pushing a gun in my mouth and saying, the first step to eternal life is you have to die. For a long time, though, Tyler and I were best friends. People are always asking, did I know about Tyler Durden.
Chuck Palahniuk, Fight Club
Perhaps not a lot of slang in either, but talk about different tones. Lovecraft famously wrote of stuffy, deliberate intellect clashing with cosmic horror, and his narration is somewhere between sonnet and scientific-journal entry.
Palahniuk, meanwhile, reads like a wild-eyed young man, slightly out-of-breath, who's just flung an arm around your shoulder and started telling you a story.
Think about how you want your story to sound - like the confession of a learned man, or like the antics your buddy related to you at the bar, and let that guide the way your narrator speaks. And the emphasis on sound and speech brings us to a classic tip: read your narration out loud. Nothing else will make the awkward bits quite so obvious quite so quickly.
This post was sourced from https://writers.stackexchange.com/a/285. It is licensed under CC BY-SA 3.0.
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