Avoiding Slang whilst Writing
I sometime express my personality too much in my more creative fiction. When I get going, I include slang words and phrases that sound fascinating and are comprehensible to me, but may not be interesting or understandable to my readers.
I'd hate to think that, to understand what I write, my readers have to resort to multiple internet searches. I imagine it would be frustrating for them to have to do this and would lead them to read something else instead.
Question: what resources exist to enable writers of jargon-filled prose to temper this tendency, yet still retain their precious individuality and creativity?
You need to recognize this is a tool in your toolbox as a writer. It isn't "wrong" to do it, it just has a specific eff …
6y ago
Neither your individuality or your creativity is precious, no matter what they told you in kindergarten. Your story may …
6y ago
This question is simply answered: Let others read your work! Others often have a different view on the project, especia …
6y ago
I don't think you need any resource other than your own intelligence and self-awareness. We know when our slang is not " …
6y ago
This post was sourced from https://writers.stackexchange.com/q/37115. It is licensed under CC BY-SA 3.0.
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This question is simply answered: Let others read your work!
Others often have a different view on the project, especially if they are not related to you; they often deliver a pretty good review on your work and your writing style. If the slang is too much, they will tell you that too.
This post was sourced from https://writers.stackexchange.com/a/37117. It is licensed under CC BY-SA 3.0.
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Neither your individuality or your creativity is precious, no matter what they told you in kindergarten. Your story may or may not be precious, depending on whether it is any good or not. Creating a good story is not about expressing yourself (no matter what they told you in kindergarten), it is about expressing your story.
Stories are told. That is, they are transmitted, communicated, to other people. They are good (and therefore precious) insofar as they are successfully recieved by the reader. As a writer, therefore, you should be 100% focussed on what the reader receives.
Unless you write purely for catharsis, your private slang, your native word choices, are entirely inappropriate unless the reader can readily receive them. To reach the reader, to produce something potentially precious, you must write in language that is readily accessible to and evocative for the class of readers you hope to reach.
You don't necessarily discover this by listening to what they say or reading what they write, because most people have a much larger recognition vocabulary than use vocabulary and will readily understand lots of words they would not ordinarily write or say. Instead, read what they read, and read it extensively, and with attention.
Writers read differently from other people. They read with attention to structure and story and vocabulary. (Some complain that it ruins their enjoyment of popular entertainment -- they see all the flaws.)
Learn to read like a writer and this will teach you to write for an audience. Francine Prose has a fine book called Reading Like a Writer.
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You need to recognize this is a tool in your toolbox as a writer. It isn't "wrong" to do it, it just has a specific effect and impact that you may or may not want: Use of slang, in general, establishes a social "in group" (those who understand the slang) and an "out group" (those who don't understand it). It builds a sense of commonality and community among those who understand it, and is distancing and alienating to those who don't. So it doesn't so much display personality as it does establish a social context.
There are some very effective books written entirely in slang ("The Moon is a Harsh Mistress") and/or dialect ("Their Eyes Were Watching God") and at least one very famous book written entirely in the author's idiolect --which is a completely personal variation on language ("Finnegans Wake"). But it demands a lot of the reader, and can limit the size of your audience.
If you do want to use it, the following can help: Use it sparingly, for flavor. Introduce it gradually, and in a context where it can be easily understood and/or where understanding it is not a necessity. Use it in the full awareness that the feeling it will give the reader will be very different depending on whether he or she understands it or not. Use it, knowing that slang tends to go stale very quickly, and to not travel well.
This post was sourced from https://writers.stackexchange.com/a/37138. It is licensed under CC BY-SA 3.0.
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I don't think you need any resource other than your own intelligence and self-awareness. We know when our slang is not "standard", just don't use it.
Plus, it is ephemeral anyway, the 1920's "bees knees" and "flappers" are unintelligible to us now; "copacetic" is a real word made popular in the 1970's but few today would recognize it. (like one meaning of "cool" it means "in excellent order", like "It's all copacetic, dude.")
Slang ages quickly. Never use it in exposition, in fact I personally avoid any word in exposition if I think a typical reader of fiction would have to look it up.
In dialogue; characters can use slang, although I'd encourage you to study the mechanics of slang development (See Development of Slang and 15 Reasons People Use Slang.)
In particular, slang is generally short to say, a few syllables, and produced by a sub-culture to reflect something unique to that sub-culture, or if it is an insult, coined by outsiders to denigrate that sub-culture, and for the purposes of diffusion, not difficult to pronounce or recall; slang words and expressions are easily learned and understood upon first hearing, and easily explained in a short sentence.
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