You are falling victim to the etymological fallacy: the false belief that the original meaning of a word is somehow its one true meaning.

If you look up "necromancy" in dictionaries, you find things like:

• "the act of communicating with the dead in order to discover what is going to happen in the future, or black magic (= magic used for bad purposes)" — Cambridge

• "Necromancy is magic that some people believe brings a dead person back to this world so that you can talk to them." — Collins

• "The art of predicting the future by supposed communication with the dead; (more generally) divination, sorcery, witchcraft, enchantment", including the example usage "In Vodoun necromancy practiced in Haiti, three lighted candles are placed at the foot of a cross at the grave selected for corpse-raising." Oxford English Dictionary

• "The supposed practice of communicating with the dead, especially in order to predict the future. 1.1 Sorcery or black magic in general." — Oxford/Lexico

• "conjuration of the spirits of the dead for purposes of magically revealing the future or influencing the course of events" — Merriam-Webster

More generally, the claim that a word "doesn't mean what people think it means" is nonsense, because the English language is defined by usage, not by dictionaries. The dictionaries report that people use "necromancy" to mean some kind of bad magic involving the dead, because that's how people use the word.

posted over 5 years ago

CC BY-SA 3.0

David Richerby‭

10 reputation 0 2 2 0

Your book's universe is not ours. There is allowed to be a dissonance between how things work in your world, and how they work in ours. There's allowed to be different definitions to words in your world, and ours. This effect is especially strengthened by the fact that your book is within the Fantasy genre.

So if you're able to establish what pyromagus means, with clarity, then the reader will accept it. You'd be surprised to know how much readers will accept, as long as they understand it (to the extent they're supposed to).

To give an example. I am reviewing someone's book, and in it, the word telepathy is used to describe an ability a species has. This ability has a large scope within his world. Not only can they, without words, communicate thoughts, memories, feelings, associations, impressions, etc., but they can take over each others bodies, to some extent.

Now, the taking over of someone's body is not within the definition of telepathy (at least that I know of, which is what's relevant). Doing something like that is more akin to psychokinesis or astral projection. Yet, when I found out this ability was a part of the universe's definition of telepathy, I was only excited and pleasantly surprised upon the ability's utilization. This is the power of dictating how your fictional world works. You can twist and subvert so much, to a great effect.

posted over 5 years ago

CC BY-SA 3.0

A. Kvåle‭

120 reputation 18 1 13 0

I'm not 100% sure that your initial premise is correct.

While a lay person might say 'fire magic' and 'death magic' are the meanings, this is just imprecise, not wrong. (Non-religious) Divination is magic. However I would expect a lay person to understand that pyromancy is not, for instance throwing fireballs, creating walls/protective circles of fire, or other general 'fire magic'. Similarly, necromancy isn't usually thought of as the raising of armies of skeletons, or zombie creation (from the dead, as opposed to voodoo's near-death). The superpower wiki for example explicitly states 'death magic is not to be confused with necromancy'.

However, if you wish to clarify these terms in your universe as their etymological meaning, then I would instead, search for (or create) words that define the misconception. As suggestions you could call general fire magic pyromageía, and skeleton raising or death-causing necromageia. (Mageia is the Greek term for magic (μαγεία) so this will keep the origin consistent).

Then, just put in a scene where some novice character confuses the term, and a practitioner (of any of the four arts: pyromancy, pyromageia, necromancy or necromageia) corrects him/her and explains the differences.

posted over 5 years ago

CC BY-SA 3.0

mcalex‭

10 reputation 0 1 2 0

The weight of this choice relies a lot on context.

If your novel is in the "real world", or anything closely related enough to share language or dominant cultural traits, you may want to avoid all those terms and make up new ones. What you did with the creation of "pyromagus/necromagus" is excellent work, because these words speaks by themselves. Except that they already carry meaning, which conflicts with the one you're trying to convey, bringing you back to square one.

But you clearly had the right idea.

On the other hand, if your novel takes places in a world which is different enough from ours , it may not matter at all.

So you have to reflect about this: if this novel takes place in a world like ours, do you care about the "real" meaning of these words, or do you accept that you'll have to redefine them?

On the other hand, if your world is different enough from ours, the problem is completely elsewhere: maybe you'll want to use familiar-sounding words just so the reader may intuitively have a clue about what you mean even before you have to explain it to him.

A different but related situation could be the following: let's say that an author wants to include horses with wings in his novel. He very well could name them "pegasuses". Except that... Pegasus isn't a specie, it's the name of a very specific and unique creature. So if this author is dealing with greek mythology, he's making a huge mistake. On the other hand, if he's in a fantasy world and want to take a shortcut so the reader understands what he means, even if his version of the flying horse has some unique characteristics, he's already done enough for the reader to have a good idea of what he's speaking about. But... he's also using words which are heavily culturally charged, which means that now he linked his fantasy world with ours, and if he's creating something new and unrelated this may let the reader think that this fantasy world with be close to ours somehow.

tl;dr: If you work in an historically more-or-less accurate setting, define your words the right way. If you're creating something new, you can create new terms and run with it. If you want to make the reader's job easier (to the cost of some immersion, still I think this is a good deal in many cases), you can make up "real-world sounding" names which the reader will recognize yet are not culturally charged - which you almost did with "pyromagus/necromagus"... just change the "magus" part and you're golden... or run with it by redefining it clearly before the reader can think about it too much (because, let's face it, these sound badass).

Have fun.

posted over 5 years ago

CC BY-SA 3.0

laancelot‭

30 reputation 1 3 5 0

Actual usage and the original definition of a word may be out of sync (literally). And neither of them is the "real definition" you're referring to.

Since you're afraid of creating a disconnect, I recommend sticking with the words the readers already know to mean what you want to say.

I recommend using your own made up words if you need to highlight a small but important difference to the existing word, or to remind the readers that some characters are from different cultures than others.

posted over 5 years ago

CC BY-SA 3.0

Peter‭

10 reputation 0 2 2 0

Don't overthink it; readers will generally go along with whatever terms you want to use, as long as you explain it sufficiently, and as long as they aren't wildly out of whack with their expectations.

As a reader, I know that each story may use terms in slightly different ways, or in ways that have different implications for the story you are telling; this is especially true for terms referring to magical/mythical/fantasy/sci-fi elements that often differ from fictional world to fictional world.

If I read a story about a character described as a "vampire", I don't know (yet) whether this means they wear a tuxedo with a cape and sleep in a coffin, whether they are part of a powerful ancient race of immortals in perpetual war with the werewolves, or whether they are just a brooding teenage goth.

Any of these (or something else entirely) are fine; I just need you, as the author, to explain to me what you mean by that term. Just don't call someone a vampire and then explain it's actually a little green man from Mars.

In your case, you should be totally fine using "pyromancy" and/or "necromancy", and simply clarifying what that means to the characters in your story. I don't think readers are going to even know the strict definition you're alluding to in this question (I frankly don't see the distinction you're trying to make), all you can assume is that readers will (probably) recognize the roots "pyro" and "necro"; the rest is up to you.

In the same way, though, if you have a story-related reason to use "pyromagus" and "necromagus" instead, I don't think readers will have a problem with that either. Perhaps if you had mage guilds that were all named based on their specialty, calling them "pyromagus" and "necromagus" (and aquamagus?) makes the most sense.

posted over 5 years ago

CC BY-SA 3.0

BradC‭

30 reputation 0 3 6 0

These terms are very often used to mean magic, and I've never before encountered anybody discussing the ancient greek etymology. You are totally safe using the modern meanings.

In general, words often do have multiple meanings, and we understand from the context which meaning you are using: if you were writing a historical text about ancient greek superstition, we would interpret pyromancy as telling the future from fire, whereas in a modern fantasy story, we interpret it as fire magic. In fact, if you wanted to write "pyromancy" in a modern fantasy story and have the reader understand "telling the future from fire", you would actually have to explain (or show) that this is your intended meaning, and it would be surprising to the majority of your readers.

You can find countless examples of words whose etymological (or alternative) meanings we happily ignore, e.g. you don't mind that "demon" originally simply meant "god" or "deity" in ancient greek, or for that matter that computer people today, when mentioning a daemon, mean a process running in the background...

posted over 5 years ago

CC BY-SA 4.0

sesquipedalias‭

178 reputation 5 28 25 6

The meaning of words is not set in stone. A word that used to mean one thing, can change over time to mean another. A hundred years ago, 'gay' used to mean 'merry'. Now it is no longer used in this sense. Sometimes the meaning of a word contradicts its own etymology. As an example, the French 'embrasser' is rather visibly related to the English 'embrace'. It even contains the element 'bras' - arms. But what it means is 'to kiss'. It used to mean 'hug', as you might have expected, but that meaning changed several centuries ago.

'Pyromancy' and 'Necromancy' might have used to mean 'divination by means of fire/corpses' respectively, but that's not how these words are used now. Now these words mean 'fire magic' and 'death magic'. It doesn't matter whether it is 'right' or 'wrong' - that's just the way it is.

posted over 5 years ago

CC BY-SA 4.0

Galastel‭

1885 reputation 81 551 319 3

Use Non-Standard Spelling and/or Diacritics for Non-Standard Meaning

If you think your readers come in with preconceived meanings for "pyromancy" and "necromancy" that interfere with your usage, change the spellings (and perhaps capitalization) such as "Pyromancie" or "pyromancey" and "Necromancie" or "necromancey", to evoke the idea that these are ancient names from before English spelling evolved to its present form, and help the reader keep these words distinct from the modern definitions and spellings.

Or go Füll Mëtäl with diacritics such as "necrõmancÿ" and "pyrõmancÿ".

posted over 5 years ago

CC BY-SA 3.0

Monty Harder‭

5 reputation 0 1 1 0