Is it bad if I don't like the "best" books in my chosen genre?

I think it's fine, but you should consider the possibility that you value different things to most readers.

Any book and/or series is going to have strengths and flaws. If its strengths are things you value, but the flaws are in areas you consider irrelevant, you impression of the book will be pretty good. Whereas if its strengths are things you don't value much, or the flaws are in areas you do value a lot, this will tend to produce a negative impression. This is one of the reasons that talking about the strengths and weaknesses of any given work of art tends to be more interesting than talking about whether we overall liked it.

So, as stated previously, you should consider the possibility that you value different things to most readers. If correct, being aware of this is potentially valuable. For example, you could try identifying the kinds of things you value in a story, and then find someone who values very different things, and try cowriting a short story together. Perhaps you'll be able to "get the best of both worlds" so-to-speak.

posted almost 6 years ago

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goblin‭

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It could be a good thing, if it means that you bring a fresh take and new ideas to a well-traveled genre. It's often NOT a good thing to write in a genre that you don't know very well, just because you're (ironically) more likely to use old cliches and worn-out tropes, because of not being aware how common they are. But that doesn't sound like your issue.

All the books you mention have been endlessly imitated. There may continue to be a market for bad Tolkien imitations, but that doesn't mean you need to be a part of it.

There's always an audience for a fresh new take on a shopworn genre, especially one that addresses some of the most egregious failings of the old battlehorses. One of my favorite finds as a fantasy-devouring kid was a YA "Sword-and-Sorcery" novel whose hero was a single mom trying to escape her past by running an inn in an out-of-the-way town (Caught In Crystal). That was a lot more interesting to me than reading about some Conan clone.

posted almost 6 years ago

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Chris Sunami‭

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I had a similar issue with a standardized story from genre. I'm writing a lot of Superhero-genre stories and one of the stories I hate is when the hero's friend or girlfriend or some other close relation gets the Hero's Powers and the friend is upstaging the Hero and they have to fight. I hate those stories. It brings out traits that aren't ordinarily part of the characters in the worst way possible; it's always the same things.

So I made that story set up the entire focus of my first novel with one of my characters. The Superhero's girlfriend is caught in the cross fire in a fight with a villain and ends up with her own powers (not a copy of his, but her own)... and she doesn't want to do it but he needs some help so she agrees to play superhero until it's not needed... and it turns out she's actually good at it... objectively too (can't get into the details about why, but suffice to say, his public image is a bit more controlled by him than her public image is.).

posted almost 6 years ago

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hszmv‭

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In determining your favorite genre, there are two things to consider.

• What you like
• How would people describe that in terms of genre.

What currently exists in that genre is irrelevant... except if you're trying to find something to read in your favorite genre.

As far as how well that applies to you as a writer hoping to sell your work... what currently exists is a function of the interests of the authors who have already published, and to the extent their editors redirected them, how their editors redirected them. If there are other people who have your same interests in that genre and nobody else has published? So long as you can write well and get their attention, nobody else having written what you are specifically interested in within your genre could be a good thing for your bottom line.

Of course, if there truly is an untapped market for the work you want to produce, that qualifier is a big one. It would probably be far easier to reach that market if there is at least a small amount of existing fan base, because otherwise you're attempting to get the interests of disheartened fans, many of whom will have given up trying to find what they want to read.

In saying this, I'm trying to take the gist of what goblin said, and spin it a different way, because the readers in fantasy are not defined by the fantasy work that exists but by the interest in fantasy they have, and that might be different in ways that could be very beneficial to you.

posted almost 6 years ago

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Ed Grimm‭

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It would be a bad thing if you hated the genre overall. Or if you looked down on it. I will never understand people who want to write something they distain because they think it's "easy" or where the money is.

But that's not you. Fantasy is a huge genre and no one could possibly love everything in it. You're not so big on some books/series, including some popular stuff. But you like others. That's okay.

What's important is that you've read widely within the genre and you have a good sense of what you like and why you like it.

Write stuff you would want to read.

posted almost 6 years ago

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Cyn‭

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Short answer: J.K. Rowling claims never to have read a fantasy book in her life, and she did just fine. For that matter, J.R.R. Tolkien hadn't read much fantasy either.

Long answer: who considers the books on your list "best" in their genre? I haven't heard anything other than ridicule for Wheel of Time and Shannara, and I'm not too fond of Harry Potter either (nothing"obvious" about liking that series). The Lord of the Rings is for me a life-changing classic on par with Hemingway, but then a lot of people don't enjoy reading Hemingway. People are different in their likes and dislikes.

Be analytical in your reading: if you like a book, what is it about it that makes it "work" for you? If you don't like it, what "doesn't work"? @Weathervane gives a good explanation on this. Any book has its strengths and weaknesses. Try to find those in the books you are reading, learn from the strengths, avoid the weaknesses. If you fear that you're "missing something", it might be enlightening to talk to someone who liked those books: maybe you did miss something, maybe it's they who missed some problems, and maybe it's just that they weigh the relative strengths and weaknesses of the book differently from you.

J.R.R. Tolkien wrote the book he wanted to read, because it had not been written yet. So can you, if you find out what it is that you want to read, and what it is that makes you turn away from a book.

posted almost 6 years ago

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Galastel‭

1885 reputation 81 551 319 3

I notice the books you don't like you consider "too long", "too long for something to happen", "too boring"...

Despite you saying you like characters, longer books without much happening are likely character-driven; i.e. there is less plot and more character development.

There actually isn't a lot of character development in Harry Potter, it is much more of a mystery/action series than a character-driven series. Just like Sherlock Holmes was an interesting character, but not a well-developed character; we watch Sherlock through the window called Dr. Watson, we don't know what Sherlock feels like or what it feels like to be Sherlock. We watch Sherlock like we watch a stage magician; we don't read Sherlock as if we are Sherlock, we don't see his uncertainties or insecurities or regrets or guilt or inadequacies, or even how he feels about his drug addiction (just that he dismisses it as an issue).

You don't have to love character-intimate fiction; but it sells very well. So does mystery/action, so does horror. If you can be more specific about what you don't like in the stories you wouldn't read again, which passages or scenes you don't like or are uncomfortable with and which you do like, then you will go a long way toward defining the type of story you like and would like to write.

I agree with Galastel; there is absolutely nothing obvious about liking Harry Potter. JK Rowling is technically not a great writer. She gets an A for plotting and writing a mystery, an A+ at pleasing young adults, an A+ for imagination, but only a C for writing. This is probably why "Harry Potter and the Sorcerer's Stone" was rejected 12 times.

You will become a better writer if you use some analytic skill to figure out why you like some books and why you dislike other books. That is how you learn who your audience is, and what you want to avoid writing about, and what you need to fill the pages with instead. Perhaps you just want action or physical conflict or more danger every dozen pages, or continuous mystery and clues, or more comedy, or more new magic every few pages.

There is nothing wrong with not liking some fantasy; but there is something wrong with not bothering to understand why you don't like it. If you aspire to be a professional, you will take the time to understand. It will improve your writing.

posted almost 6 years ago

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Amadeus‭

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