Does this riddle abuse language to make it fit into verse?
Not being a native speaker I'm unable to tell if my poetry sounds fine or just awkward - I know I'm abusing grammar to fit rhymes and rhythm, but the question is: am I abusing it too much? Does that sound as poetic English to a native ear, or is it mangled beyond repair?
Animal skull took name of dread,
Obedient to the God of War.
In darkness endless, empty, dead,
Its stone face scars uncounted tore.
In thirty hours its path is led
like human's year, eternal chore.
Edit:
After the suggested corrections:
The skull of beast took name of dread,
fulfilling will of God of War.
In endless darkness, empty, dead,
Its stone face scars uncounted bore.
In thirty hours its path is led
like human's year, eternal chore.
This post was sourced from https://writers.stackexchange.com/q/7325. It is licensed under CC BY-SA 3.0.
2 answers
You are accessing this answer with a direct link, so it's being shown above all other answers regardless of its score. You can return to the normal view.
Abuse grammar all you wish! Leave it dead in a ditch if you must to get the rhythm right. Right now the nice imagery is being let down with by the dragging artificiality of the metre.
To see why, just separate all the syllables, and annotate them to show the stresses. There is a formal way to show this, but for the purposes of clarity, I'll just bold-face the stressed ones.
An-im-al skull took name of dread,
O-bed-ient to the God of War.
In dark-ness end-less, emp-ty, dead,
Its stone face scars un-count-ed tore.
In thir-ty hours its path is led
like hu-man's year, e-ter-nal chore.
First of all it's quadrameter - four stresses to the line. This is a very hard meter to pull off. It very easily sounds like doggerel, especially if the feet are mostly iambs (as they are here).
The second line clangs horribly - it's as if you want 'to' to be a stressed syllable. But it isn't - not in natural English. That is the one that mostly badly needs rephrasing.
You might also look at the word order and see if you really need to have the words in which you're placing them. For instance, rather than 'in darkness endless, empty, dead' you could say 'in endless darkness - empty, dead - ' which feels more natural.
I do like it though! I only critique if it's worth it. I'm curious to know what the answer is - one of the planets, I imagine?
0 comment threads
Line three has a nice ring to it. The line that tripped me up is four, because the verbs temporarily confused me. "Scars" could be either a verb or noun, so my brain was kind of expecting one thing and got another.
The line is also ambiguous (maybe your intention?). I'm not 100% sure whether you mean that the stone face has scarred some other, unnamed thing, or that the stone face itself is "torn?" On first reading, I thought the latter, but now I see that the former makes more sense. Do you want the reader to puzzle over this, or should the gist of the line be clear on first reading?
This post was sourced from https://writers.stackexchange.com/a/7326. It is licensed under CC BY-SA 3.0.
0 comment threads
0 comment threads